Johann Strauss II, Slovak State Philharmonic Orchestra, Kosice, Alfred Walter made "Eine Nacht In Venedig, Quadrille, Op. 416" available on June 20, 1994. Eine Nacht In Venedig, Quadrille, Op. 416 is about six minutes long, preciously at 6:14, making this song fairly long compared to other songs. There are a total of 12 in the song's album "Strauss Ii, J.: Edition - Vol. 38". In this album, this song's track order is #7. Furthermore, we believe that the track originated from Hong Kong. In terms of popularity, Eine Nacht In Venedig, Quadrille, Op. 416 is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Eine Nacht In Venedig, Quadrille, Op. 416 by Johann Strauss II, Slovak State Philharmonic Orchestra, Kosice, Alfred Walter having a BPM of 112 with a half-time of 56 BPM and a double-time of 224 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Auf Flügeln der Liebe Polka schnell, op. 171 | Carl Michael Ziehrer, Original C.M.Ziehrer Orchester, Hans Schadenbauer | F Major | 3 | 7B | 153 BPM | ||
Brandenburg Concerto No. 2 in F major, BWV 1047: III. Allegro assai | The London Symphony Orchestra & I Fiamminghi | F Major | 4 | 7B | 110 BPM | ||
The Sleeping Beauty, Op. 66 : (A) Chaperon Rouge Et Le Loup (Little Red Riding-Hood and The Wolf) | Pyotr Ilyich Tchaikovsky, Slovak State Philharmonic Orchestra, Kosice | E Minor | 2 | 9A | 79 BPM | ||
Spanish Capriccio in A Major, Op. 34: I. Alborada. Vivo e strepitoso | Nikolai Rimsky-Korsakov, Czech Philharmonic Orchestra, Vladimír Válek | B♭ Major | 2 | 6B | 133 BPM | ||
Paquita: Coda: Allegro moderato | Ludwig Minkus, Anna Takova-Baynova, Valentina Raicheva, Sofia National Opera Orchestra, Boris Spassov | D Major | 1 | 10B | 201 BPM | ||
Eugene Onegin, Op. 24, Act II, Scene 13: "Waltz" | State Academic Symphony Orchestra of the USSR, Yevgeny Svetlanov | D Major | 2 | 10B | 105 BPM | ||
Ivan Susanin: Waltz | Mikhail Glinka, USSR Symphony Orchestra, Yevgeny Svetlanov | A Major | 0 | 11B | 185 BPM | ||
Caprice Russe (Russian Capriccio), Op. 102 | Anton Rubinstein, USSR State Symphony Orchestra, Yevgeny Svetlanov | E♭ Major | 3 | 5B | 109 BPM | ||
Die Landstreicher: Overture | Carl Michael Ziehrer, WDR Sinfonieorchester Köln, Helmuth Froschauer | E♭ Major | 3 | 5B | 124 BPM | ||
La belle Hélène: Overture | Jacques Offenbach, Orchestre National de Lille, Darrell Ang | A Major | 2 | 11B | 82 BPM |
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