Michel Blavet, Rachel Brown, Mark Caudle, James Johnstone's 'Six Sonates melees de pieces, Op. 2 No. 2, Flute Sonata in D Minor, "Le Vibray": IV. Sarabanda. Largo' came out on July 1, 1994. The duration of Six Sonates melees de pieces, Op. 2 No. 2, Flute Sonata in D Minor, "Le Vibray": IV. Sarabanda. Largo is about two minutes long, specifically at 2:01. This song does not appear to have any foul language. Six Sonates melees de pieces, Op. 2 No. 2, Flute Sonata in D Minor, "Le Vibray": IV. Sarabanda. Largo's duration is considered a little bit shorter than the average duration of a typical track. The song is number 8 out of 22 in French Baroque Flute Music by Rachel Brown, Mark Caudle, James Johnstone. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Six Sonates melees de pieces, Op. 2 No. 2, Flute Sonata in D Minor, "Le Vibray": IV. Sarabanda. Largo is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Six Sonates melees de pieces, Op. 2 No. 2, Flute Sonata in D Minor, "Le Vibray": IV. Sarabanda. Largo by Michel Blavet, Rachel Brown, Mark Caudle, James Johnstone is Adagio (slowly with great expression), since this song has a tempo of 73 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonata in E Minor, Op. 5, No. 8 (arr. W. Babell): II. Allemanda: Allegro | William Babell, Arcangelo Corelli, Stefan Temmingh, Olga Watts | E♭ Minor | 2 | 2A | 114 BPM | ||
Neubrandenburg Concerto No. 3: I. Allegro (Transcr. By Harer, after Bach's Sonata for Viola da Gamba and Harpsichord, BWV 1029) | Johann Sebastian Bach, Christoph Harer, La Festa Musicale | F♯ Minor | 2 | 11A | 168 BPM | ||
Bassoon Concerto in E Minor, RV 484: II. Andante | Antonio Vivaldi, Sophie Dervaux, La Folia Barockorchester | A Minor | 0 | 8A | 100 BPM | ||
6 Flute Sonatas, Op. 2, Sonata No. 4: II. Allemanda - Allegro | Michel Blavet, Jed Wentz, Musica ad Rhenum | D♭ Major | 0 | 3B | 138 BPM | ||
6 Sonates meleese de pieces, Op. 2: VI. Sonata in A minor "La Boucot”: II. Allemanda. Allegro | Michel Blavet, Claudio Ferrarini, Accademia Farnese | G Minor | 3 | 6A | 78 BPM | ||
Concerto In A Major, Op.12, No.1: 2. Allegro | Jean-Baptiste Quentin, Musica Antiqua Köln, Reinhard Goebel | A♭ Major | 2 | 4B | 109 BPM | ||
Concerto Grosso No. 6 in D Major (after D. Scarlatti): III. Adagio | Charles Avison, I Musici | D Minor | 0 | 7A | 168 BPM | ||
6 Sonates meleese de pieces, Op. 2: III. Sonata in E Minor, "La Dherouville”: IV. Tambourins I and II, "Le Mondorge". Andante | Michel Blavet, Claudio Ferrarini, Accademia Farnese | A♭ Minor | 1 | 1A | 73 BPM | ||
Concerti a più istrumenti in F Major, Op. 6 No. 6, IV. Allegro assai | Evaristo Felice Dall'Abaco, Il Tempio Armonico, Davide Monti, Orchestra Barocca di Verona, Alberto Rasi | B Major | 3 | 1B | 128 BPM | ||
Sammartini: Flute Concerto in F Major: III. Allegro assai | Giuseppe Sammartini, Jean-Pierre Rampal, Karl Ristenpart, Kammerorchester des Saarländischen Rundfunks | C Major | 1 | 8B | 67 BPM |
Section: 0.675398588180542
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