"Walts Gott, mein Werk ich lasse" by Athesinus Consort Berlin, Klaus-Martin Bresgott was released on November 21, 2023. With this song being about 5 minutes long, at 4:55, "Walts Gott, mein Werk ich lasse" by Athesinus Consort Berlin, Klaus-Martin Bresgott is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 4 out of 5 in Choral:Gut - Fünf Abendlieder by Klaus-Martin Bresgott, Athesinus Consort Berlin. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Walts Gott, mein Werk ich lasse is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Walts Gott, mein Werk ich lasse by Athesinus Consort Berlin, Klaus-Martin Bresgott is Andante (at a walking pace), since this song has a tempo of 104 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 5/4.
E Minor is the music key of this track. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Quis numerare queat: I. Quis numerare queat | Loyset Compère, Owain Park, The Gesualdo Six | F Major | 2 | 7B | 128 BPM | ||
Der Mensch lebt und bestehet nur eine kleine Zeit | Max Reger, Vienna Chamber Choir, Michael Grohotolsky | C Major | 1 | 8B | 97 BPM | ||
Říkadla: XI. Ho, ho, off go the cows | Leoš Janáček, Cappella Amsterdam, Daniel Reuss, Radio Blazers Ensemble | A♭ Major | 1 | 4B | 137 BPM | ||
Were You There? (Arr. for Choir by Michael Garrepy) | Anonymous, Ensemble Altera, Christopher Lowrey, Michael Garrepy | B♭ Minor | 1 | 3A | 78 BPM | ||
4 Lieder von Licht und Schatten: No. 3 Hört! Wie die Wachtel | Frank Schwemmer, Athesinus Consort Berlin, Klaus-Martin Bresgott | F♯ Minor | 0 | 11A | 132 BPM | ||
Motectorum, Book 3: No. 15, Coelorum candor splenduit | Orfeo Vecchi, Don Denis Silano, Carlo Montalenti, Cappella Musicale Eusebiana | G Major | 1 | 9B | 72 BPM | ||
Machet die Tore weit | Athesinus Consort Berlin, Klaus-Martin Bresgott | C Major | 1 | 8B | 70 BPM | ||
We Rejoice to Be God's Chosen | John Bell, The Cathedral Singers | A♭ Major | 2 | 4B | 73 BPM | ||
Mass in E-Flat Major, Op. 109, IJR 75 "Cantus Missae": IV. Sanctus | Josef Rheinberger, Netherlands Radio Choir, Benjamin Goodson | F Major | 1 | 7B | 79 BPM | ||
Johannes-Passion, BWV 245.1: 37. Choral: O hilf, Christe, Gottes Sohn | Johann Sebastian Bach, Thomanerchor Leipzig, Andreas Reize, Akademie für Alte Musik Berlin | D Major | 2 | 10B | 172 BPM |
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