Johann Peter Emilius Hartmann, Niels Gade, Lars Bjørnkjær, Aalborg Symphony Orchestra, Peter Ernst Lassen made "A Folk Tale: Act III Scene 4: Polonaise: Pas de Sept: Allegro maestoso" available on January 1, 2005. With A Folk Tale: Act III Scene 4: Polonaise: Pas de Sept: Allegro maestoso being less than two minutes long, at 1:35, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 10 out of 206 in Ballet Music (Music To the Bournonville Ballets) by Aalborg Symphony Orchestra, Peter Ernst Lassen. Going off of the ISRC code of this track, we detected that the origin of this track is from Denmark. The popularity of A Folk Tale: Act III Scene 4: Polonaise: Pas de Sept: Allegro maestoso is currently unknown right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
The tempo marking of A Folk Tale: Act III Scene 4: Polonaise: Pas de Sept: Allegro maestoso by Johann Peter Emilius Hartmann, Niels Gade, Lars Bjørnkjær, Aalborg Symphony Orchestra, Peter Ernst Lassen is Presto (very, very fast), since this song has a tempo of 183 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Magyar gyermek- és népdalok: No. 3, Tavaszi szél | Leó Weiner, Budapest Symphony Orchestra MAV, Valeria Csanyi | C Major | 0 | 8B | 145 BPM | ||
He Hopes I Go Crazy | Paolo MIllon, Neon Lilith, Andrea Sullivan, Alan R Black | F Major | 3 | 7B | 80 BPM | ||
6 Partsongs, Op. 18 (Version for Mixed Chorus): No. 3, Venematka | Jean Sibelius, Dominante Choir, Seppo Murto | E Major | 2 | 12B | 105 BPM | ||
Vort dagvaerk er til ende | Johann Peter Emilius Hartmann, Studenter-Sangforeningen, Jorgen Fuglebaek | C Major | 2 | 8B | 96 BPM | ||
HFTEPX | KNOXVILLETRACKZ | D Minor | 0 | 7A | 65 BPM | ||
Mefistofele: Prologue - Scherzo vocale - Siam nimbi volanti dai limbi | Arrigo Boito, Riccardo Muti | B Major | 0 | 1B | 68 BPM | ||
Canzoni et sonate (1615): Sonata XX a 22 | Giovanni Gabrieli, Andreas Sieling, Berlin Brass, Lucas Vis | F Major | 1 | 7B | 78 BPM | ||
Missa Maria Magdalena: Agnus Dei | Stellan Sagvik, Annika Skoglund, Olle Persson, Hannah Holgersson, Carl Unander-Scharin, Staffan Alveteg, Bjorn Blomberg, Liselotte Lindgren, Maria Magdalena Motet Choir, Stockholm Chamber Choir, Ralph Gustafsson, Mathias Kjellgren, Stockholm Saxophone Quartet, Ragnar Bohlin | D Major | 1 | 10B | 86 BPM | ||
Mass No. 2 in F Major, Hob.XXII:1, "Missa brevis": Kyrie | Joseph Haydn, Trinity Church Choir, New York, Rebel Baroque Orchestra, Owen Burdick | D♭ Major | 3 | 3B | 163 BPM | ||
Stranger | Yuri Alexandrovich Falik, Latvian Radio Choir, Sigvards Kļava | A Minor | 1 | 8A | 111 BPM |
Section: 0.6057379245758057
End: 0.6098315715789795