On March 15, 2024, the song "Concert Royal No. 3 in A (Version for 2 Harpsichords): VII. Chaconne légère" was released by François Couperin, Pierre Gallon, Matthieu Boutineau. The duration of Concert Royal No. 3 in A (Version for 2 Harpsichords): VII. Chaconne légère is about 3 minutes long, at 3:11. Based on our data, "Concert Royal No. 3 in A (Version for 2 Harpsichords): VII. Chaconne légère" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 19 out of 26 in Couperin: Concerts Royaux by François Couperin, Pierre Gallon, Matthieu Boutineau. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Based on our statistics, Concert Royal No. 3 in A (Version for 2 Harpsichords): VII. Chaconne légère's popularity is unknown right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
The tempo marking of Concert Royal No. 3 in A (Version for 2 Harpsichords): VII. Chaconne légère by François Couperin, Pierre Gallon, Matthieu Boutineau is Allegro (fast, quick, and bright), since this song has a tempo of 125 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
E♭ Major is the music key of this track. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
5 Songs from the Norwegian: No. 5. Sunset (arr. J. Lloyd Webber for cello and piano) | Frederick Delius, Julian Lloyd Webber, John Lenehan | F♯ Major | 0 | 2B | 69 BPM | ||
5 Pieces en concert (arr. P. Bazelaire for cello and strings): No. 3. La Tromba | Paul Bazelaire, François Couperin, Lynn Harrell, Angeli Ensemble | G Major | 4 | 9B | 93 BPM | ||
Lo frate 'nnamorato: II. Andante | Giovanni Battista Pergolesi, Orchestra da Camera di Napoli, Enzo Amato | E Minor | 5 | 9A | 165 BPM | ||
Sonata in D Minor, K. 9 | Domenico Scarlatti, Ivo Pogorelich | D Minor | 0 | 7A | 94 BPM | ||
Orfeo ed Euridice, Act II: Dance of the Blessed Spirits, "Melodie" (arr. I. Friedman for piano) | Ignaz Friedman, Christoph Willibald Gluck, Yoonie Han | D Minor | 0 | 7A | 75 BPM | ||
Lieder ohne Worte, Book 2, Op. 30: No. 6 in F-Sharp Minor, MWV U110 "Venetianisches Gondelleid" | Felix Mendelssohn, Denis Kozhukhin | F♯ Minor | 0 | 11A | 67 BPM | ||
Oboe Quartet in F Major, K. 370: II. Adagio | Wolfgang Amadeus Mozart, Alexei Ogrintchouk, Boris Brovtsyn, Maxim Rysanov, Kristine Blaumane | D Minor | 0 | 7A | 84 BPM | ||
Oboe Concerto in D Minor, Op. 9, No. 2: III. Allegro | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | D Minor | 3 | 7A | 101 BPM | ||
15 Pieces, Op. 3: Prelude | Gabriel Pierné, Hae Won Chang | C Minor | 0 | 5A | 83 BPM | ||
Couperin: Premier Livre de pièces de clavecin, Premier Ordre: XIII. Les nonètes (Les blondes, les brunes) | François Couperin, Olivier Baumont | F♯ Major | 2 | 2B | 145 BPM |
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