Francesco Geminiani, David Watkin, Richard Egarr, Alison McGillivray's 'Cello Sonata in D Minor, Op.5 No.2: I. Andante' came out on 1999. The duration of Cello Sonata in D Minor, Op.5 No.2: I. Andante is about two minutes long, specifically at 2:12. This song does not appear to have any foul language. Cello Sonata in D Minor, Op.5 No.2: I. Andante's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Francesco Geminiani, Academy of Ancient Music, Andrew Manze's "Geminiani: Concerti grossi (after Corelli, Op.5)" album is number 26 out of 59. On top of that, United States appears to be the country where this track was created. In terms of popularity, Cello Sonata in D Minor, Op.5 No.2: I. Andante is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Cello Sonata in D Minor, Op.5 No.2: I. Andante by Francesco Geminiani, David Watkin, Richard Egarr, Alison McGillivray to be Andante (at a walking pace) because the track has a tempo of 92 BPM, a half-time of 46BPM, and a double-time of 184 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
E Major is the music key of this track. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto Grosso in G Minor, Op. 3, No. 2: I. Largo e staccato | Francesco Geminiani, Capella Istropolitana, Jaroslav Krcek | G Minor | 2 | 6A | 85 BPM | ||
Quartet in G Major: II. Allegro ma non troppo | Johann Gottlieb Janitsch, Berlin Baroque Compagney | F♯ Major | 1 | 2B | 144 BPM | ||
Concerto grosso No. 9 in F Major, Op. 6: I. Preludio (Largo) | Arcangelo Corelli, Gli Incogniti, Amandine Beyer, Yoko Kawakubo | E Major | 2 | 12B | 102 BPM | ||
Mystery (Rosary) Sonata No. 15, "The Beatification of the Virgin"*: I. — | Heinrich Ignaz Franz von Biber, Sirkka-Liisa Kaakinen, Battalia | B Major | 0 | 1B | 129 BPM | ||
Concerto a cinque No. 9, Op. 7: II. Adagio (Oboe tacet) | Tomaso Albinoni, Paul Dombrecht, Il Fondamento | E Major | 1 | 12B | 131 BPM | ||
Flute Concerto in A Minor, QV 5:238: III. Allegro assai | Johann Joachim Quantz, Mary Oleskiewicz, Concerto Armonico Budapest, Miklós Spányi | G Minor | 1 | 6A | 110 BPM | ||
Violin Concerto in F Minor, BeRI 52: I. Allegro energico | Johan Helmich Roman, Terje Tonnesen, Camerata Nordica | B♭ Major | 2 | 6B | 113 BPM | ||
Recorder Sonata No. 12 in G Minor: I. Largo | Francesco Mancini, Dan Laurin, London Baroque | F♯ Minor | 1 | 11A | 91 BPM | ||
Overture No. 6 in B-Flat Major: IV. Menuett | Francesco Maria Veracini, Arte dell'Arco, Federico Guglielmo | A Major | 1 | 11B | 73 BPM | ||
Suite From Abdelzar: III. Minuet | Henry Purcell, Tafelmusik Baroque Orchestra, Jeanne Lamon | F♯ Major | 2 | 2B | 87 BPM |
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