Gioachino Rossini, Maria Callas, Jolanda Gardino, Nicola Rossi-Lemeni, Gianandrea Gavazzeni, Orchestra Del Teatro Alla Scala, Milano made "Rossini: Il turco in Italia, Act 2: "Che turca impertinente!" (Fiorilla, Zaida, Selim)" available on 1955. The duration of Rossini: Il turco in Italia, Act 2: "Che turca impertinente!" (Fiorilla, Zaida, Selim) is about two minutes long, specifically at 2:27. This song does not appear to have any foul language. Rossini: Il turco in Italia, Act 2: "Che turca impertinente!" (Fiorilla, Zaida, Selim)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 44 in the song's album "Rossini: Il turco in Italia (1954 - Gavazzeni) - Callas Remastered". In this album, this song's track order is #33. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Rossini: Il turco in Italia, Act 2: "Che turca impertinente!" (Fiorilla, Zaida, Selim) is currently not that popular. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
With Rossini: Il turco in Italia, Act 2: "Che turca impertinente!" (Fiorilla, Zaida, Selim) by Gioachino Rossini, Maria Callas, Jolanda Gardino, Nicola Rossi-Lemeni, Gianandrea Gavazzeni, Orchestra Del Teatro Alla Scala, Milano having a BPM of 106 with a half-time of 53 BPM and a double-time of 212 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 5/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Macbeth / Act 4: "O figli, O figli miei!" - "Ah, la paterna mano" | Giuseppe Verdi, Plácido Domingo, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado | D♭ Major | 2 | 3B | 90 BPM | ||
Eugene Onegin, Op. 24, TH. 5 / Act II: "A, vot oni!" | Pyotr Ilyich Tchaikovsky, Neil Shicoff, Thomas Allen, Gunter Emmerlich, Staatskapelle Dresden, James Levine | E Minor | 2 | 9A | 78 BPM | ||
Il barbiere di Siviglia / Act 1: Mi par d'essere con la testa | Gioachino Rossini, Teresa Berganza, Fernando Corena, Nicolai Ghiaurov, Stefania Malagu, Ugo Benelli, Manuel Ausensi, Dino Mantovani, Coro del Teatro di San Carlo di Napoli, Orchestra del Teatro San Carlo di Napoli, Silvio Varviso | C Major | 5 | 8B | 107 BPM | ||
Lucia di Lammermoor / Act 3: "Ohimè! sorge il tremendo fantasma" | Gaetano Donizetti, Dame Joan Sutherland, Pier Francesco Poli, Nicolai Ghiaurov, Chorus of the Royal Opera House, Covent Garden, Richard Bonynge | F Minor | 3 | 4A | 133 BPM | ||
Verdi: La forza del destino, Act 4 Scene 6: No. 17, Melodia, "Pace, pace, mio Dio!" (Leonora) | Giuseppe Verdi, Maria Callas, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin, Orchestra Del Teatro Alla Scala Di Milan | E♭ Major | 1 | 5B | 81 BPM | ||
Il Trovatore / Act 2: "Il balen del suo sorriso...Qual suono! o ciel!" | Giuseppe Verdi, Ingvar Wixell, Nicolai Ghiaurov, The London Opera Chorus, National Philharmonic Orchestra, Richard Bonynge | D♭ Major | 3 | 3B | 94 BPM | ||
L'elisir d'amore / Act I: "Bel conforto" | Gaetano Donizetti, Dawn Upshaw, Metropolitan Opera Chorus, Metropolitan Opera Orchestra, James Levine | F Major | 2 | 7B | 119 BPM | ||
La Cenerentola / Act 1: "Un soave non so che" | Gioachino Rossini, Luigi Alva, Teresa Berganza, Margherita Guglielmi, Laura Zannini, London Symphony Orchestra, Claudio Abbado | E Minor | 8 | 9A | 110 BPM | ||
Gounod : Faust : Act 1 "Ainsi que la brise légère" [Siébel, Faust, Méphistophélès, Chorus] | Charles Gounod, Carlo Rizzi, Welsh National Opera Orchestra | D Major | 1 | 10B | 217 BPM | ||
Norma / Act 1: Sgombra è la sacra | Vincenzo Bellini, Montserrat Caballé, Orchestra of the Welsh National Opera, Richard Bonynge | B♭ Major | 0 | 6B | 137 BPM |
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