Piano Concerto No.1 In G Minor, Op.25, MWV O7: 2. Andante
Felix Mendelssohn, Roberto Prosseda, Jan Willem de Vriend, Residentie Orkest Den Haag
Mendelssohn: Piano Concertos Nos. 1 & 2
6:33 September 28, 2018
BPM
66
Key
E Minor
Camelot
9A

Embed

Share Link

Piano Concerto No.1 In G Minor, Op.25, MWV O7: 2. Andante - Felix Mendelssohn, Roberto Prosseda, Jan Willem de Vriend, Residentie Orkest Den Haag Information

Acousticness
95%
Danceability
17%
Energy
13%
Instrumentalness
17%
Liveness
10%
Loudness
70%
Speechiness
5%
Valence
9%
Popularity
Loudness
-17.854 dB

Summary

"Piano Concerto No.1 In G Minor, Op.25, MWV O7: 2. Andante" by Felix Mendelssohn, Roberto Prosseda, Jan Willem de Vriend, Residentie Orkest Den Haag was released on September 28, 2018. Since Piano Concerto No.1 In G Minor, Op.25, MWV O7: 2. Andante is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Felix Mendelssohn, Roberto Prosseda, Jan Willem de Vriend, Residentie Orkest's "Mendelssohn: Piano Concertos Nos. 1 & 2" album is number 2 out of 8. On top of that, Italy appears to be the country where this track was created. Piano Concerto No.1 In G Minor, Op.25, MWV O7: 2. Andante is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Piano Concerto No.1 In G Minor, Op.25, MWV O7: 2. Andante BPM

We consider the tempo marking of Piano Concerto No.1 In G Minor, Op.25, MWV O7: 2. Andante by Felix Mendelssohn, Roberto Prosseda, Jan Willem de Vriend, Residentie Orkest Den Haag to be Larghetto (rather broadly) because the track has a tempo of 66 BPM, a half-time of 33BPM, and a double-time of 132 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.

Piano Concerto No.1 In G Minor, Op.25, MWV O7: 2. Andante Key

E Minor is the music key of this track. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Songs My Mother Taught Me (from Songs My Mother Taught Me (from "Gypsy Songs", Op. 55, No. 4)Antonín Dvořák, Yo-Yo Ma, Kathryn StottB Minor010A92 BPM
Orfeo ed Euridice: Ballet des Ombres Heureuses (arr. I. Friedman for piano) by Ignaz Friedman, Christoph Willibald Gluck, Joseph BanowetzOrfeo ed Euridice: Ballet des Ombres Heureuses (arr. I. Friedman for piano)Ignaz Friedman, Christoph Willibald Gluck, Joseph BanowetzF♯ Major02B70 BPM
Schumann, Clara: 3 Romances, Op. 11: No. 1 in E-Flat Minor by Clara Schumann, Sophie PaciniSchumann, Clara: 3 Romances, Op. 11: No. 1 in E-Flat MinorClara Schumann, Sophie PaciniE♭ Minor02A60 BPM
Abdelazar Suite, Z. 570: VI. Air by Henry Purcell, Camerata Nordica, Terje TonnesenAbdelazar Suite, Z. 570: VI. AirHenry Purcell, Camerata Nordica, Terje TonnesenG Minor26A131 BPM
Pelléas et Mélisande, Op.80: 3. Sicilienne by Gabriel Fauré, Academy of St. Martin in the Fields, Sir Neville MarrinerPelléas et Mélisande, Op.80: 3. SicilienneGabriel Fauré, Academy of St. Martin in the Fields, Sir Neville MarrinerG Minor06A111 BPM
Concerto For 2 Keyboards In C Minor, BWV 1062: I. - Allegro by Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian BachConcerto For 2 Keyboards In C Minor, BWV 1062: I. - AllegroCologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian BachC Minor45A106 BPM
Nocturne No.19 In E Minor, Op.72 No.1 by Frédéric Chopin, Maurizio PolliniNocturne No.19 In E Minor, Op.72 No.1Frédéric Chopin, Maurizio PolliniB Major01B139 BPM
Ständchen, S. 560 (Trans. from Schwanengesang No. 4, D. 957) by Franz Schubert, Franz Liszt, Khatia BuniatishviliStändchen, S. 560 (Trans. from Schwanengesang No. 4, D. 957)Franz Schubert, Franz Liszt, Khatia BuniatishviliD Major010B67 BPM
Symphony No. 8 in G Major, Op. 88, B. 163: III. Allegretto grazioso - Molto vivace by Antonín Dvořák, Los Angeles Philharmonic, Gustavo DudamelSymphony No. 8 in G Major, Op. 88, B. 163: III. Allegretto grazioso - Molto vivaceAntonín Dvořák, Los Angeles Philharmonic, Gustavo DudamelC Major18B127 BPM
Consolation No. 3 in D-Flat Major, S. 172 by Franz Liszt, Lang LangConsolation No. 3 in D-Flat Major, S. 172Franz Liszt, Lang LangD♭ Major03B74 BPM
ISRC
ITUM71800485
Label
L-M Records/RCA Records

Section: 0.8356966972351074

End: 0.8398330211639404