"Elegy" by Elliott Carter, Arditti Quartet, Sir Neville Marriner, Leonard Bernstein, Serge Koussevitzky, Neeme Järvi, Antal Doráti, Lukas Foss, Academy of St. Martin in the Fields, New York Philharmonic, Boston Symphony Orchestra, Detroit Symphony Orchestra, Milwaukee Symphony Orchestra was released on January 1, 1995. With this song being around four minutes long, at 4:17, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 12 in the song's album "The Romantic Approach: A Special Collection of 20th Century American Music". In this album, this song's track order is #4. Elegy is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Elegy by Elliott Carter, Arditti Quartet, Sir Neville Marriner, Leonard Bernstein, Serge Koussevitzky, Neeme Järvi, Antal Doráti, Lukas Foss, Academy of St. Martin in the Fields, New York Philharmonic, Boston Symphony Orchestra, Detroit Symphony Orchestra, Milwaukee Symphony Orchestra having a BPM of 59 with a half-time of 30 BPM and a double-time of 118 BPM, we would consider this track to have a Lento (slowly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
B♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Tromsö 2018 I | Christian Lindberg, MIN Ensemble | C Major | 0 | 8B | 70 BPM | ||
Impression de lièvre | Christian Schittenhelm, Peter Jablonski | G Minor | 2 | 6A | 135 BPM | ||
HFTMRF | KNOXVILLETRACKZ | N/A | N/A | N/A | 0 BPM | ||
Statements for Orchestra: I. Militant | Aaron Copland, London Symphony Orchestra | A♭ Major | 1 | 4B | 111 BPM | ||
Shostakovich: Violin Concerto No. 1 in A Minor, Op. 99: V. Burlesque. Allegro con brio - Presto | Dmitri Shostakovich, Sarah Chang, Sir Simon Rattle, Berliner Philharmoniker | G Minor | 1 | 6A | 85 BPM | ||
Frustration | Christian Lindberg, Símon Bolívar Symphony Orchestra | G Major | 9 | 9B | 125 BPM | ||
Final Ride | Christian Lindberg, Símon Bolívar Symphony Orchestra | B♭ Major | 8 | 6B | 133 BPM | ||
Turangalîla Symphonie: 2. Chant d'amour 1 | Olivier Messiaen, Yvonne Loriod, Jeanne Loriod, Orchestre de l'Opéra Bastille, Myung-Whun Chung | D♭ Major | 2 | 3B | 153 BPM | ||
Agon: Double Pas de quatre | Igor Stravinsky, Orchestra of St. Luke's, Robert Craft | E Minor | 0 | 9A | 63 BPM | ||
Cello Concerto No. 2, W516: III. Scherzo. Vivace - Cadenza | Heitor Villa-Lobos, Antonio Meneses, Isaac Karabtchevsky, Orquestra Sinfônica do Estado de São Paulo | E♭ Major | 1 | 5B | 133 BPM |
Section: 0.7756328582763672
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