"H.M.S. Pinafore, Act I: Recitative. Sir, You Are Sad!" by Arthur Sullivan, Sir Charles Mackerras, Welsh National Opera Orchestra, Thomas Allen, Felicity Palmer was released on October 25, 1994. With H.M.S. Pinafore, Act I: Recitative. Sir, You Are Sad! being less than two minutes long, at 1:23, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Arthur Sullivan, Welsh National Opera Chorus, Welsh National Opera Orchestra, Sir Charles Mackerras, Richard Stuart, Thomas Allen, Michael Schade, Rebecca Evans, Felicity Palmer, Donald Adams, Richard van Allan's "Gilbert & Sullivan: H.M.S. Pinafore" album is number 8 out of 27. On top of that, United States appears to be the country where this track was created. In terms of popularity, H.M.S. Pinafore, Act I: Recitative. Sir, You Are Sad! is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of H.M.S. Pinafore, Act I: Recitative. Sir, You Are Sad! by Arthur Sullivan, Sir Charles Mackerras, Welsh National Opera Orchestra, Thomas Allen, Felicity Palmer to be Andante (at a walking pace) because the track has a tempo of 100 BPM, a half-time of 50BPM, and a double-time of 200 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Die Fledermaus: Act II: Ein Souper uns heute winkt (Chorus) | Johann Strauss II, Cologne West German Radio Chorus, Cologne West German Radio Orchestra, Friedrich Haider | E Major | 2 | 12B | 103 BPM | ||
20. Oh, foolish fay | Arthur Sullivan, Gillian Knight, The D'Oyly Carte Opera Chorus, The New Symphony Orchestra Of London, Isidore Godfrey | D♭ Major | 2 | 3B | 81 BPM | ||
Samson et Dalila, Op. 47: Act III: Salut! Salut au juge d'Israel... | Camille Saint-Saëns, Hélène Bouvier, Charles Cambon, José Luccioni, Henri Medus, Paul Cabanel, Paris National Opera Chorus, Paris National Opera Orchestra, Louis Fourestier | E♭ Major | 2 | 5B | 113 BPM | ||
Gaîté parisienne: Allegro brillante | Jacques Offenbach, Pittsburgh Symphony Orchestra, André Previn | G Major | 4 | 9B | 113 BPM | ||
Roméo et Juliette, Act II: Ah, je veux vivre dans ce reve | Charles Gounod, Kathleen Battle, Orchestre de l’Opéra national de Paris, Myung-Whun Chung | B♭ Major | 1 | 6B | 103 BPM | ||
La fille du régiment / Act 1: La la la ...chacum le sait, chacun le dit | Gaetano Donizetti, Dame Joan Sutherland, Luciano Pavarotti, Spiro Malas, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | F Major | 2 | 7B | 180 BPM | ||
H.M.S. Pinafore / Act 1: Now give three cheers...I am the monarch of the sea | Arthur Sullivan, The D'Oyly Carte Opera Company, Jeffrey Skitch, John Reed, Joyce Wright, The D'Oyly Carte Opera Chorus, The New Symphony Orchestra Of London, Isidore Godfrey | F Major | 2 | 7B | 93 BPM | ||
Le violette | Alessandro Scarlatti, Luciano Pavarotti, John Wustman | B♭ Major | 2 | 6B | 107 BPM | ||
The Mikado: The flowers that bloom in the spring, tra-la | Arthur Sullivan, Valerie Masterson, Peggy Ann Jones, Colin Wright, John Reed, Kenneth Sandford, Royal Philharmonic Orchestra, Royston Nash | A Major | 1 | 11B | 174 BPM | ||
Les Pêcheurs de perles: Leïla!...Dieu puissant, le voila! (Nadir, Leïla) | Georges Bizet, Nicolai Gedda, Pierre Dervaux, Orchestre du Theatre National de IOpera-Comique, Orchestre Du Theatre National De L'opera-comique | F Major | 1 | 7B | 137 BPM |
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