"Cavalleria rusticana: A voi tutti salute" by Pietro Mascagni, Philharmonia Orchestra, Giuseppe Sinopoli, Juan Pons, Plácido Domingo, Susanne Mentzer, Chorus of the Royal Opera House, Covent Garden, Robin Stapleton was released on January 1, 1990. Cavalleria rusticana: A voi tutti salute is about six minutes long, preciously at 5:31, making this song fairly long compared to other songs. The track order of this song in Pietro Mascagni, Philharmonia Orchestra, Giuseppe Sinopoli, Agnes Baltsa, Plácido Domingo, Vera Baniewicz, Juan Pons, Susanne Mentzer, Chorus of the Royal Opera House, Covent Garden, Robin Stapleton's "Mascagni: Cavalleria Rusticana" album is number 21 out of 22. Based on our statistics, Cavalleria rusticana: A voi tutti salute's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Cavalleria rusticana: A voi tutti salute by Pietro Mascagni, Philharmonia Orchestra, Giuseppe Sinopoli, Juan Pons, Plácido Domingo, Susanne Mentzer, Chorus of the Royal Opera House, Covent Garden, Robin Stapleton to be Allegro (fast, quick, and bright) because the track has a tempo of 133 BPM, a half-time of 66BPM, and a double-time of 266 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song has a musical key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 5 in C-Sharp Minor: IV. Adagietto. Sehr langsam | Gustav Mahler, Leonard Bernstein, New York Philharmonic | F Major | 1 | 7B | 86 BPM | ||
Copland: Appalachian Spring: VII. Doppio movimento (Variations on a Shaker Hymn - Simple Gifts) | Aaron Copland, Aurora Orchestra, Nicholas Collon | D♭ Major | 1 | 3B | 82 BPM | ||
Lieder ohne Worte, Op. 19: No. 6 in G Minor (Andante sostenuto) "Venetian Gondola Song", MWV U78 | Felix Mendelssohn, Jan Lisiecki | G Minor | 0 | 6A | 168 BPM | ||
Chansons grises: V. L'heure exquise | Reynaldo Hahn, Mischa Maisky, Daria Hovora | D Major | 0 | 10B | 83 BPM | ||
Cello Sonata in G Minor, Op. 65: III. Largo | Frédéric Chopin, Emmanuelle Bertrand, Pascal Amoyel | B♭ Major | 0 | 6B | 89 BPM | ||
Saint-Saëns / Transcr. Vidal: Le carnaval des animaux: XIII. Le cygne | Camille Saint-Saëns, Gautier Capuçon, Douglas Boyd, Orchestre de chambre de Paris | G Major | 0 | 9B | 82 BPM | ||
Borodin - String Quartet No.2 in D major: Notturno: Andante | Alexander Borodin, Borodin Quartet | A Major | 2 | 11B | 74 BPM | ||
Barber: String Quartet in B Major, Op. 11: II. Adagio | Samuel Barber, Endellion String Quartet | C Minor | 1 | 5A | 184 BPM | ||
Scottish Fantasy for Violin and Orchestra, Op. 46: I. Introduction: Grave, Adagio cantabile | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields | E♭ Major | 2 | 5B | 60 BPM | ||
Madama Butterfly, Act 2: Humming Chorus | Giacomo Puccini, Opera Queensland Chorus, Johannes Fritzsch, Queensland Symphony Orchestra | B♭ Major | 0 | 6B | 139 BPM |
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