Amadeo Vives, Rolando Villazón, Plácido Domingo, Orquesta de la Comunidad de Madrid's 'Vives: Doña Francisquita, Act II No. 9, Romanza: Por el humo se sabe dónde está el fuego' had a release date set for February 5, 2007. With this song being around four minutes long, at 4:19, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Rolando Villazón, Plácido Domingo, Orquesta de la Comunidad de Madrid's "Gitano" album is number 2 out of 15. Vives: Doña Francisquita, Act II No. 9, Romanza: Por el humo se sabe dónde está el fuego is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Vives: Doña Francisquita, Act II No. 9, Romanza: Por el humo se sabe dónde está el fuego by Amadeo Vives, Rolando Villazón, Plácido Domingo, Orquesta de la Comunidad de Madrid to be Andante (at a walking pace) because the track has a tempo of 80 BPM, a half-time of 40BPM, and a double-time of 160 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
E♭ Major is the music key of this track. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Doña Francisquita, Act I: Cuando un Hombre se Quiere Casar, Pt. 1 (Cardona, Fernando, Coro) | Amadeo Vives, Orquesta Sinfonica De Tenerife, Antoni Ros Marbá, Santiago Jerico, Alfredo Kraus, Coro Polifonico de la Universidad de la Laguna Rondalla de Tenerife | A♭ Major | 2 | 4B | 121 BPM | ||
Adriana Lecouvreur (1986 Digital Remaster): Ecco: respiro appena...Io son l'umile ancella | Maria Callas, Tullio Serafin | A♭ Major | 1 | 4B | 92 BPM | ||
The Merry Widow (Die lustige Witwe) / Act 2: Valse moderato | Franz Lehár, Berliner Philharmoniker, Herbert von Karajan | C Major | 1 | 8B | 98 BPM | ||
Te Deum, WAB 45: III. Aeterna fac | Anton Bruckner, Bernard Haitink, Bavarian Radio Symphony Orchestra, Bavarian Radio Chorus | D Minor | 2 | 7A | 123 BPM | ||
Maruxa: "Soy el Mismo Que Ahora Acaba de Llegar" | Luis Pascual Frutos, Amadeo Vives, Gran Orquesta de Cámara de Madrid | D Major | 1 | 10B | 75 BPM | ||
Hace Tiempo Que Vengo al Taller (Duo Ascension y Joaquin) | Anselmo Carreno, Pablo Sorozábal, Pilar Lorengar, Enriqueta Serrano, Renato Cesari, Francisco Maroto, Enrique Fuentes, José Marín, Coro Cantores de Madrid, Orquesta de Conciertos de Madrid | G Major | 3 | 9B | 126 BPM | ||
Cavalleria rusticana: Part II: Intanto amici, qua (Turiddu, Lola, Chorus) | Pietro Mascagni, Maria Callas, Giuseppe Di Stefano, Rolando Panerai, Anna Maria Canali, Ebe Ticozzi, Vittore Veneziani, Milan La Scala Chorus, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin | G Major | 3 | 9B | 121 BPM | ||
Doña Francisquita: No. 8, Era Una Rosa Que un Jardín | Amadeo Vives, Antoni Ros Marbá, Orquesta Sinfonica De Tenerife, Maria Bayo | G Major | 5 | 9B | 174 BPM | ||
Mia piccirella (From "Salvator Rosa") | Antônio Carlos Gomes, Antonio Ghislanzoni, Roberto Alagna, Yvan Cassar, Orchestre national d'île-de-France | D♭ Major | 3 | 3B | 86 BPM | ||
El Tambor de Granaderos: "Preludio" | Rafael Frühbeck de Burgos | D Major | 4 | 10B | 140 BPM |