- BPM
- 98
- Key
- E♭ Major
- Camelot
- 5B
Die Zauberflöte - Singspiel in two acts K620 (1987 Digital Remaster), Act I: Bei Männern, welche Liebe fühlen (Pamina, Papageno) - Wolfgang Amadeus Mozart, Bavarian State Orchestra, Wolfgang Sawallisch Information
- Acousticness
- 97%
- Danceability
- 33%
- Energy
- 9%
- Instrumentalness
- 0%
- Liveness
- 11%
- Loudness
- 68%
- Speechiness
- 5%
- Valence
- 11%
- Popularity
- 6%
- Loudness
- -19.104 dB
Summary
"Die Zauberflöte - Singspiel in two acts K620 (1987 Digital Remaster), Act I: Bei Männern, welche Liebe fühlen (Pamina, Papageno)" by Wolfgang Amadeus Mozart, Bavarian State Orchestra, Wolfgang Sawallisch had its release date on 1973. The duration of This song is about 3 minutes long, at 3:02. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Wolfgang Amadeus Mozart, Wolfgang Sawallisch's "Mozart: The Magic Flute" album is number 13 out of 44. In terms of popularity, Die Zauberflöte - Singspiel in two acts K620 (1987 Digital Remaster), Act I: Bei Männern, welche Liebe fühlen (Pamina, Papageno) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Die Zauberflöte - Singspiel in two acts K620 (1987 Digital Remaster), Act I: Bei Männern, welche Liebe fühlen (Pamina, Papageno) BPM
We consider the tempo marking of Die Zauberflöte - Singspiel in two acts K620 (1987 Digital Remaster), Act I: Bei Männern, welche Liebe fühlen (Pamina, Papageno) by Wolfgang Amadeus Mozart, Bavarian State Orchestra, Wolfgang Sawallisch to be Andante (at a walking pace) because the track has a tempo of 98 BPM, a half-time of 49BPM, and a double-time of 196 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
Die Zauberflöte - Singspiel in two acts K620 (1987 Digital Remaster), Act I: Bei Männern, welche Liebe fühlen (Pamina, Papageno) Key
The music key of this track is E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Vesperae solennes de confessore, K. 339: VII. Magnificat | Wolfgang Amadeus Mozart, Greta de Reyghere, Marijke van Arnhem, Renaat Deckers, Jan van der Crabben, Capella Brugensis, Collegium Instrumentale Brugense, Patrick Peire | C Major | 2 | 8B | 109 BPM | |
 | Mozart: Die Zauberflöte, K. 620, Act 2: "Bewahret euch vor Weibertücken" (Erster Priester, Zweiter Priester) | Wolfgang Amadeus Mozart, Waldemar Kmentt/Erich Kunz/Symphonieorchester des Bayerischen Rundfunks/Bernard Haitink, Bernard Haitink, Bayerischer Rundfunk, Sinfonie-Orchester Des Bayerischen Rundfunks | B♭ Major | 1 | 6B | 122 BPM | |
 | Die Meistersinger von Nürnberg, Act 3, Scene 2: "Abendlich glühend in himmlischer Pracht" | Richard Wagner, Bernd Weikl, Cheryl Studer, Wolfgang Sawallisch, Bavarian State Orchestra | F Major | 1 | 7B | 77 BPM | |
 | Mozart: Die Zauberflöte, K. 620, Act 2: "Pa-pa-pa" (Papageno, Papagena) | Wolfgang Amadeus Mozart, Catherine Pierard, Andreas Schmidt, Sir Roger Norrington, London Classical Players | B♭ Major | 0 | 6B | 77 BPM | |
 | Requiem In D Minor, K.626: 6. Benedictus | Wolfgang Amadeus Mozart, Anna Tomowa-Sintow, Agnes Baltsa, Werner Krenn, José van Dam, Berliner Philharmoniker, Herbert von Karajan, Rudolf Scholz, Wiener Singverein | B♭ Major | 1 | 6B | 89 BPM | |
 | Die Hochzeit des Figaro, K. 492, 3. Akt: Canzonetta sull aria… Che soave zeffiretto (Die Verurteilten): Act I No. 2: Recitativo - Or bene, ascolta, e taci! | Wolfgang Amadeus Mozart, Marina Mescheriakova, Judith Halász, Michelle Breedt, Orsolya Safar, Gabriele Sima, Alexander Klinger, Michael Roider, Bo Skovhus, Peter Koves, Janusz Monarcha, Renato Girolami, Nicolaus Esterhazy Sinfonia, Michael Halasz | D Minor | 1 | 7A | 99 BPM | |
 | Così fan tutte, K.588 / Act 2: "Secondate, aurette amiche" - "Il tutto deponete" | Wolfgang Amadeus Mozart, Francisco Araiza, Thomas Allen, José van Dam, Karita Mattila, Anne Sofie von Otter, Elzbieta Szmytka, Ambrosian Opera Chorus, Academy of St. Martin in the Fields, Sir Neville Marriner | C Major | 1 | 8B | 132 BPM | |
 | Le nozze di Figaro, K. 492 / Act 2: "Porgi amor...Vieni, cara Susanna" | Wolfgang Amadeus Mozart, Kiri Te Kanawa, Lucia Popp, Samuel Ramey, Frederica von Stade, London Philharmonic Orchestra, Sir Georg Solti | B♭ Major | 1 | 6B | 83 BPM | |
 | Le Nozze di Figaro, K. 492: Atto quarto. Scene 9 & 10. Recitativo Susanna, la Contessa travestite, Marcellina "Signora, ella mi disse" | Wolfgang Amadeus Mozart, Concerto Köln, Marie McLaughlin, Patrizia Ciofi, René Jacobs, Véronique Gens | F Major | 1 | 7B | 90 BPM | |
 | Le Nozze Di Figaro (The Marriage Of Figaro), K. 492: Act III Scene 8: Recitativo - E Susanna Non Vien! | Donato Di Stefano, Maria Pia Ionata, Hungarian State Opera Orchestra, Roberto Frontali, Natale de Carolis, Jozsef Mukk, Patrizia Pace, Ingrid Kertesi, Lorenzo Da Ponte, Wolfgang Amadeus Mozart | A Minor | 0 | 8A | 73 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records