"San Nicola di Bari: "Il diletto?"" by Giovanni Bononcini, Lavinia Bertotti, Gabriella Martellacci, Les Muffatti, Peter Van Heyghen was released on 2008. The duration of San Nicola di Bari: "Il diletto?" is about two minutes long, specifically at 2:07. This song does not appear to have any foul language. San Nicola di Bari: "Il diletto?"'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 26 out of 45 in Bononcini: San Nicola di Bari by Giovanni Bononcini, Les Muffatti, Peter Van Heyghen. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Based on our statistics, San Nicola di Bari: "Il diletto?"'s popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of San Nicola di Bari: "Il diletto?" by Giovanni Bononcini, Lavinia Bertotti, Gabriella Martellacci, Les Muffatti, Peter Van Heyghen is Allegro (fast, quick, and bright), since this song has a tempo of 134 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 5/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Airs for the Autumn: Belvedere: II. Non presto: Allegro | James Oswald, The Broadside Band | F♯ Minor | 3 | 11A | 99 BPM | ||
Tilge, Hochster, meine Sunden (Soprano, Alto) | Johann Sebastian Bach, Monika Frimmer, Kai Wessel, Munich Neue Hofkapelle, Christian Brembeck | F Minor | 2 | 4A | 151 BPM | ||
Trio Sonata in B Minor, Op. 3, No. 3: II. Fugue, Gai | Louis-Antoine Dornel, Lucile Boulanger, Simon Pierre, Olivier Fortin | B♭ Minor | 3 | 3A | 94 BPM | ||
Motettum de tempore: III. Recitativo. Inter tanta pericla | František Tůma, Andreas Scholl, Czech Ensemble Baroque, Roman Válek | B Major | 2 | 1B | 83 BPM | ||
Te Deum: IX. Per singulos dies | Giovanni Bononcini, Owen Rees, The Choir of The Queen's College Oxford, Academy of Ancient Music | B Minor | 2 | 10A | 71 BPM | ||
Missa Paschalis, ZWV 7: Kyrie. Christe eleison | Jan Dismas Zelenka, Inégal Ensemble, Adam Viktora, Terry Wey | A♭ Major | 1 | 4B | 105 BPM | ||
Brockes-Passion, TWV 5:1, Teil I: No. 5, Arie "Der Gott, dem alle Himmelskreise" (Tochter Zion) | Georg Philipp Telemann, Brigitte Christensen, Akademie für Alte Musik Berlin, René Jacobs | A♭ Minor | 1 | 1A | 69 BPM | ||
Missa Paschalis, ZWV7: Agnus Dei | Jan Dismas Zelenka, Inégal Ensemble, Adam Viktora, Gabriela Eibenová, Marian Krejcik, Terry Wey, Cyril Auvity | D♭ Major | 1 | 3B | 79 BPM | ||
Sonata in C Minor, Jung III.2.B: I. Largo | Johann Georg Pisendel, Concerto Köln, Mayumi Hirasaki | B Minor | 1 | 10A | 96 BPM | ||
Gluck: Orfeo ed Euridice, Wq. 30, Act 3: "Trionfi Amore!" (Orfeo, Amore, Euridice, Coro) | Christoph Willibald Gluck, Stefan Plewniak, Elsa Dreisig, Fatma Said, Il Giardino d'Amore Choir, Jakub Józef Orliński, Il Giardino d'Amore | D♭ Major | 3 | 3B | 129 BPM |
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