Life and Works: Cello Concerto in B Minor, Op. 104 (mvt 3: Finale: Allegro moderato - Andante - Allegro vivo)
Sean Barrett
Life and Works: Dvorak (Siepmann)
5:31 April 16, 2004
BPM
104
Key
D Major
Camelot
10B

Embed

Share Link

Life and Works: Cello Concerto in B Minor, Op. 104 (mvt 3: Finale: Allegro moderato - Andante - Allegro vivo) - Sean Barrett Information

Acousticness
94%
Danceability
69%
Energy
19%
Instrumentalness
0%
Liveness
14%
Loudness
56%
Speechiness
91%
Valence
43%
Popularity
Loudness
-26.433 dB

Summary

Sean Barrett made "Life and Works: Cello Concerto in B Minor, Op. 104 (mvt 3: Finale: Allegro moderato - Andante - Allegro vivo)" available on April 16, 2004. Life and Works: Cello Concerto in B Minor, Op. 104 (mvt 3: Finale: Allegro moderato - Andante - Allegro vivo) is about six minutes long, preciously at 5:31, making this song fairly long compared to other songs. The track order of this song in Sean Barrett's "Life and Works: Dvorak (Siepmann)" album is number 6 out of 61. On top of that, Hong Kong appears to be the country where this track was created. In terms of popularity, Life and Works: Cello Concerto in B Minor, Op. 104 (mvt 3: Finale: Allegro moderato - Andante - Allegro vivo) is currently unknown. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.

Life and Works: Cello Concerto in B Minor, Op. 104 (mvt 3: Finale: Allegro moderato - Andante - Allegro vivo) BPM

We consider the tempo marking of Life and Works: Cello Concerto in B Minor, Op. 104 (mvt 3: Finale: Allegro moderato - Andante - Allegro vivo) by Sean Barrett to be Andante (at a walking pace) because the track has a tempo of 104 BPM, a half-time of 52BPM, and a double-time of 208 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.

Life and Works: Cello Concerto in B Minor, Op. 104 (mvt 3: Finale: Allegro moderato - Andante - Allegro vivo) Key

This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Schubert: Ave Maria, D. 839, Schubert: Ave Maria, D. 839, "Ellens Gesang III" (Arr. for Violin and Instrumental Ensemble by Mikhail Parhamovsky)Franz Schubert, Maxim Vengerov, Vag Papian, Virtuosi, Mikhail ParhamovskyC Major18B127 BPM
Morgen! Op. 27, No. 4 by Richard Strauss, Joshua Bell, Michael SternMorgen! Op. 27, No. 4Richard Strauss, Joshua Bell, Michael SternG Major19B93 BPM
Carmina Burana / 3. Cour d'amours: Carmina Burana / 3. Cour d'amours: "In trutina"Carl Orff, Barbara Bonney, Wiener Philharmoniker, André PrevinB♭ Major26B137 BPM
L'elisir d'amore / Act II: L'elisir d'amore / Act II: "Una furtiva lagrima"Gaetano Donizetti, Luciano Pavarotti, Metropolitan Opera Orchestra, James LevineB♭ Minor13A87 BPM
Bach: Brandenburg Concerto No. 2 in F Major, BWV 1047: I. (without tempo indication) by Johann Sebastian Bach, Mark Bennett, Rachel Beckett, Paul Goodwin, Monica Huggett, Orchestra of the Age of EnlightenmentBach: Brandenburg Concerto No. 2 in F Major, BWV 1047: I. (without tempo indication)Johann Sebastian Bach, Mark Bennett, Rachel Beckett, Paul Goodwin, Monica Huggett, Orchestra of the Age of EnlightenmentE Major312B97 BPM
Vesperae solennes de confessore in C Major, K. 339, Vesperae solennes de confessore in C Major, K. 339, "Solemn Vespers": IV. Laudate DominumWolfgang Amadeus Mozart, Priti Coles, Kosice Teachers' Choir, Camerata Cassovia, Johannes WildnerF Major17B112 BPM
Chapter 119 - Raven Lord by JC Duncan, Sean BarrettChapter 119 - Raven LordJC Duncan, Sean BarrettB♭ Minor23A147 BPM
La traviata / Act 1: La traviata / Act 1: "Libiamo ne'lieti calici" (Brindisi)Giuseppe Verdi, Luciano Pavarotti, Wendy White, Anthony Laciura, Metropolitan Opera Orchestra, James Levine, Metropolitan Opera ChorusB♭ Major16B111 BPM
Chapter 127 - Raven Lord by JC Duncan, Sean BarrettChapter 127 - Raven LordJC Duncan, Sean BarrettB Minor310A68 BPM
Ave Maria (after J.S. Bach) by London Philharmonic OrchestraAve Maria (after J.S. Bach)London Philharmonic OrchestraG Major29B89 BPM
ISRC
HKI199405606
Label
L-M Records/RCA Records

Section: 1.0690243244171143

End: 1.088911771774292