Sean Barrett made "Life and Works: Cello Concerto in B Minor, Op. 104 (mvt 3: Finale: Allegro moderato - Andante - Allegro vivo)" available on April 16, 2004. Life and Works: Cello Concerto in B Minor, Op. 104 (mvt 3: Finale: Allegro moderato - Andante - Allegro vivo) is about six minutes long, preciously at 5:31, making this song fairly long compared to other songs. The track order of this song in Sean Barrett's "Life and Works: Dvorak (Siepmann)" album is number 6 out of 61. On top of that, Hong Kong appears to be the country where this track was created. In terms of popularity, Life and Works: Cello Concerto in B Minor, Op. 104 (mvt 3: Finale: Allegro moderato - Andante - Allegro vivo) is currently unknown. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
We consider the tempo marking of Life and Works: Cello Concerto in B Minor, Op. 104 (mvt 3: Finale: Allegro moderato - Andante - Allegro vivo) by Sean Barrett to be Andante (at a walking pace) because the track has a tempo of 104 BPM, a half-time of 52BPM, and a double-time of 208 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Schubert: Ave Maria, D. 839, "Ellens Gesang III" (Arr. for Violin and Instrumental Ensemble by Mikhail Parhamovsky) | Franz Schubert, Maxim Vengerov, Vag Papian, Virtuosi, Mikhail Parhamovsky | C Major | 1 | 8B | 127 BPM | ||
Morgen! Op. 27, No. 4 | Richard Strauss, Joshua Bell, Michael Stern | G Major | 1 | 9B | 93 BPM | ||
Carmina Burana / 3. Cour d'amours: "In trutina" | Carl Orff, Barbara Bonney, Wiener Philharmoniker, André Previn | B♭ Major | 2 | 6B | 137 BPM | ||
L'elisir d'amore / Act II: "Una furtiva lagrima" | Gaetano Donizetti, Luciano Pavarotti, Metropolitan Opera Orchestra, James Levine | B♭ Minor | 1 | 3A | 87 BPM | ||
Bach: Brandenburg Concerto No. 2 in F Major, BWV 1047: I. (without tempo indication) | Johann Sebastian Bach, Mark Bennett, Rachel Beckett, Paul Goodwin, Monica Huggett, Orchestra of the Age of Enlightenment | E Major | 3 | 12B | 97 BPM | ||
Vesperae solennes de confessore in C Major, K. 339, "Solemn Vespers": IV. Laudate Dominum | Wolfgang Amadeus Mozart, Priti Coles, Kosice Teachers' Choir, Camerata Cassovia, Johannes Wildner | F Major | 1 | 7B | 112 BPM | ||
Chapter 119 - Raven Lord | JC Duncan, Sean Barrett | B♭ Minor | 2 | 3A | 147 BPM | ||
La traviata / Act 1: "Libiamo ne'lieti calici" (Brindisi) | Giuseppe Verdi, Luciano Pavarotti, Wendy White, Anthony Laciura, Metropolitan Opera Orchestra, James Levine, Metropolitan Opera Chorus | B♭ Major | 1 | 6B | 111 BPM | ||
Chapter 127 - Raven Lord | JC Duncan, Sean Barrett | B Minor | 3 | 10A | 68 BPM | ||
Ave Maria (after J.S. Bach) | London Philharmonic Orchestra | G Major | 2 | 9B | 89 BPM |
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