"Adriana Lecouvreur / Act 4: So ch'ella dorme" by Francesco Cilea, Giulio Fioravanti, Orchestra dell'Accademia Nazionale di Santa Cecilia, Franco Capuana was released on January 1, 1962. The duration of Adriana Lecouvreur / Act 4: So ch'ella dorme is about two minutes long, specifically at 2:46. This song does not appear to have any foul language. Adriana Lecouvreur / Act 4: So ch'ella dorme's duration is considered a little bit shorter than the average duration of a typical track. The song is number 10 out of 35 in Cilea: Adriana Lecouvreur by Francesco Cilea, Renata Tebaldi, Mario del Monaco, Giulietta Simionato, Giulio Fioravanti, Coro dell'Accademia Nazionale Di Santa Cecilia, Orchestra dell'Accademia Nazionale di Santa Cecilia, Franco Capuana. Adriana Lecouvreur / Act 4: So ch'ella dorme is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Adriana Lecouvreur / Act 4: So ch'ella dorme by Francesco Cilea, Giulio Fioravanti, Orchestra dell'Accademia Nazionale di Santa Cecilia, Franco Capuana is Andante (at a walking pace), since this song has a tempo of 79 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Otello: Ave Maria (Atto IV) | Montserrat Caballé, Royal Philharmonic Orchestra, Anton Guadagno, Elizabeth Bainbridge | A♭ Major | 0 | 4B | 88 BPM | ||
L'elisir d'amore / Act 1: "Voglio dire, lo stupendo...Va mortale fortunato | Gaetano Donizetti, Luciano Pavarotti, Spiro Malas, English Chamber Orchestra, Richard Bonynge | G Major | 3 | 9B | 112 BPM | ||
La fille du régiment / Act 1: Ah mes amis - Pour mon âme | Gaetano Donizetti, Luciano Pavarotti, Eric Garrett, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | F Major | 3 | 7B | 131 BPM | ||
Adriana Lecouvreur, Act II: "E sia! Non risponde" (Duet) | Francesco Cilea, Elena Obraztsova, Renata Scotto, James Levine, Philharmonia Orchestra | G Minor | 3 | 6A | 171 BPM | ||
Eugene Onegin, Op. 24, TH 5 / Act I: Vi mnye pisali - Kogda bi zhizn domashnim krugom | Pyotr Ilyich Tchaikovsky, Dmitri Hvorostovsky, Rotterdam Philharmonic Orchestra, Valery Gergiev | B♭ Major | 2 | 6B | 96 BPM | ||
Luisa Fernanda: Caballero del alto plumero | Federico Moreno Torroba, Montserrat Caballé, Bernabe Marti, Eugenio Mario Marco | A Major | 1 | 11B | 87 BPM | ||
Carmen / Act 1: Introduction: "Sur la place chacun passe" | Georges Bizet, Mikael Melbye, Berliner Philharmoniker, Herbert von Karajan, Choeur de l'Opéra de Paris | B♭ Major | 0 | 6B | 97 BPM | ||
Op 34, N. 2: "Auf Flügeln des Gesanges" | Victoria de los Ángeles | A♭ Major | 1 | 4B | 138 BPM | ||
L'amico Fritz / Act 2: "Suzel, buon di" | Pietro Mascagni, Cecilia Bartoli, Luciano Pavarotti, London Voices, Orchestra Sinfonica di Milano Giuseppe Verdi, Riccardo Chailly | A Major | 1 | 11B | 71 BPM | ||
Nessun Dorma! | Mario del Monaco | D Major | 2 | 10B | 88 BPM |
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