"Adriana Lecouvreur, Act II: "E sia! Non risponde" (Duet)" by Francesco Cilea, Elena Obraztsova, Renata Scotto, James Levine, Philharmonia Orchestra was released on 1975. Adriana Lecouvreur, Act II: "E sia! Non risponde" (Duet) is about six minutes long, preciously at 5:49, making this song fairly long compared to other songs. The track order of this song in Renata Scotto's "Italian Opera Arias" album is number 18 out of 18. The popularity of Adriana Lecouvreur, Act II: "E sia! Non risponde" (Duet) is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Adriana Lecouvreur, Act II: "E sia! Non risponde" (Duet) by Francesco Cilea, Elena Obraztsova, Renata Scotto, James Levine, Philharmonia Orchestra to be Vivace (lively and fast) because the track has a tempo of 171 BPM, a half-time of 86BPM, and a double-time of 342 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.
G Minor is the music key of this track. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Petite Messe solennelle - Gloria: Domine Deus | Gioachino Rossini, Luciano Pavarotti, Leone Magiera, Vittoria Rosetta, Romano Gandolfi | D Major | 4 | 10B | 108 BPM | ||
Le violette | Alessandro Scarlatti, Luciano Pavarotti, John Wustman | B♭ Major | 2 | 6B | 107 BPM | ||
Lucia di Lammermoor / Act III: "Tu che a Dio spiegasti l'ali" | Gaetano Donizetti, Luciano Pavarotti, Nicolai Ghiaurov, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | F Major | 9 | 7B | 90 BPM | ||
L´Amico Fritz: Son pochi fiori | Mirella Freni, Munchener Rundfunkorchester, Ino Savini | B♭ Major | 2 | 6B | 63 BPM | ||
Caro mio ben (Arr. Marriner) | Tomasso Giordani, Dmitri Hvorostovsky, Academy of St. Martin in the Fields, Sir Neville Marriner | D Major | 2 | 10B | 96 BPM | ||
Giulietta: "Giulietta son io" | Mario del Monaco | A Minor | 3 | 8A | 86 BPM | ||
Adriana Lecouvreur / Act 1: "Madamigella, come vi chiamerem stasera?" | Francesco Cilea, Francesco Ellero D'Artegna, Frances Ginzer, Michel Sénéchal, Deborah Stuart-Roberts, Peter Bronder, Bryn Terfel, Leo Nucci, Welsh National Opera Orchestra, Richard Bonynge | D Minor | 1 | 7A | 88 BPM | ||
Manon / Act 3: "Je suis seul...Ah, fuyez, douce image" | Jonas Kaufmann, Jules Massenet, Prague Philharmonic Orchestra, Marco Armiliato | E♭ Major | 3 | 5B | 178 BPM | ||
La bohème / Act 3: "Musetta! O gioia della mia dimora! - Testa adorata" | Ruggero Leoncavallo, Jonas Kaufmann, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | E♭ Major | 3 | 5B | 70 BPM | ||
Otello: Ave Maria (Atto IV) | Montserrat Caballé, Royal Philharmonic Orchestra, Anton Guadagno, Elizabeth Bainbridge | A♭ Major | 0 | 4B | 88 BPM |
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