"Variations on a Theme by Haydn, Op.56: Orchestra Setting, Op.56a: 5. Variation IV. Andante con moto" by Wilhelm Furtwängler was released on 1949. The duration of Variations on a Theme by Haydn, Op.56: Orchestra Setting, Op.56a: 5. Variation IV. Andante con moto is about two minutes long, specifically at 2:55. This song does not appear to have any foul language. Variations on a Theme by Haydn, Op.56: Orchestra Setting, Op.56a: 5. Variation IV. Andante con moto's duration is considered a little bit shorter than the average duration of a typical track. The song is number 5 out of 10 in Brahms: Variations on a Theme by Haydn, Op.56 by Wilhelm Furtwängler. The popularity of Variations on a Theme by Haydn, Op.56: Orchestra Setting, Op.56a: 5. Variation IV. Andante con moto is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Variations on a Theme by Haydn, Op.56: Orchestra Setting, Op.56a: 5. Variation IV. Andante con moto by Wilhelm Furtwängler is Vivace (lively and fast), since this song has a tempo of 168 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
The music key of this track is E♭ Minor. Because this track belongs in the E♭ Minor key, the camelot key is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Mendelssohn: 6 Lieder, Op. 1: No. 3 Warum sind denn die Rosen so blass | Fanny Mendelssohn, Emmanuel Pahud, Eric Le Sage | A Minor | 1 | 8A | 93 BPM | ||
Mussorgsky: Boris Godunov, Prologue: Introduction | Modest Mussorgsky, Issay Dobrowen, Orchestre National Radiodiffusion Française | C Major | 1 | 8B | 149 BPM | ||
La Damnation de Faust, Op. 24 - Part 2: 7c. Ballet des Sylphes | Hector Berlioz, Royal Concertgebouw Orchestra, Antal Doráti | D Major | 0 | 10B | 121 BPM | ||
Der Fischer und das Milchmädchen: VIII. Andantino | Giacomo Meyerbeer, Czech Philharmonic Chamber Orchestra, Dario Salvi | D Major | 1 | 10B | 77 BPM | ||
Wagner: Das Rheingold, Scene 4: "Rheingold! Rheingold!" (Woglinde, Wellgunde, Floßhilde, Wotan, Loge) | Richard Wagner, Wilhelm Furtwängler, Ferdinand Frantz, Hilde Rössel Majdan, Magda Gábory, Sena Jurinac, Wolfgang Windgassen, Orchestra Sinfonica di Roma della RAI | D Minor | 4 | 7A | 75 BPM | ||
Concerto for Clarinet No. 2 in E-Flat Major, Op. 74: I. Allegro | Carl Maria von Weber, Alberto Lizzio, North German Philharmonic Orchestra, Alexander Ivanov | A Major | 2 | 11B | 80 BPM | ||
Concerto Grosso in D Major, Op. 6, No. 5, HWV 323: 3. Largo - Live | George Frideric Handel, Berliner Philharmoniker, Wilhelm Furtwängler | B Minor | 1 | 10A | 88 BPM | ||
Capriol Suite: III. Tordion | Peter Warlock, Büyükada Ensemble, James Ross | G Minor | 1 | 6A | 115 BPM | ||
Concerti Grossi, Op. 7: No. 6 in B-Flat Major, Op 7: V. Affettuoso - Studio Recording | Francesco Geminiani, I Musici | B♭ Minor | 2 | 3A | 114 BPM | ||
The Song Of Spring: Op. 16 | Moscow Philarmonic Orchestra: Vassily Sinaysky | F Major | 2 | 7B | 85 BPM |
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