"Symphony No. 19 K. 132 In E Flat Major: Andante" by I Solisti Veneti & Claudio Scimone was released on 1998. With this song being around four minutes long, at 4:25, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of W.A. Mozart: Early Symphonies - Vol. 4 by I Solisti Veneti & Claudio Scimone. The song's track number on the album is #16 out of 18 tracks. In terms of popularity, Symphony No. 19 K. 132 In E Flat Major: Andante is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Symphony No. 19 K. 132 In E Flat Major: Andante by I Solisti Veneti & Claudio Scimone has a tempo of 112 beats per a minute, the tempo markings of this song would be Moderato (at a moderate speed). With Symphony No. 19 K. 132 In E Flat Major: Andante being at 112 BPM, the half-time would be 56 BPM with a double-time of 224 BPM.In addition, we consider the tempo speed to be pretty moderate for this song. The time signature for this track is 3/4.
This song is in the music key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Overture in D Major, Op. 8, No. 6: I. Allegro | Samuel Arnold, Toronto Chamber Orchestra, Kevin Mallon | D Major | 2 | 10B | 149 BPM | ||
Das listige Bauernmädchen: No. 11, Allegro molto | Paul Wranitzky, Czech Philharmonic Chamber Orchestra, Marek Štilec | D Major | 1 | 10B | 92 BPM | ||
String Quartet No. 3 in B Flat Major, D. 36: I. Allegro | Franz Schubert, Melos Quartet | D Minor | 1 | 7A | 137 BPM | ||
Violin Sonata No. 24 in F Major, K. 376 (arr. P. Gallois for flute and piano): II. Andante | Patrick Gallois, Wolfgang Amadeus Mozart, Maria Prinz | B♭ Major | 0 | 6B | 112 BPM | ||
Serenade in E Major, Op. 23, No. 6, G. 150: VIII. Presto assai | Giovanni Battista Viotti, Mario Carbotta, Carlo Balzaretti | G Major | 2 | 9B | 90 BPM | ||
Concerto per violino N.2 in E Major, G44: Rondo. Polonese | Giovanni Battista Viotti, Martha Carfi, Luis Michal, Bayerisches Kammerorchester München | E Major | 1 | 12B | 107 BPM | ||
Symphony in E-Flat Major, Op. 3, No. 3, W. C3: III. Allegro | Johann Christian Bach, Camerata De Budapest, Hanspeter Gmür | E♭ Major | 1 | 5B | 106 BPM | ||
Partita No. 1 in B-Flat Major, BWV 825 (Arr. for Small Orchestra by Thomas Oehler): II. Allemande | Johann Sebastian Bach, Trevor Pinnock, Royal Academy of Music Soloists Ensemble, The Glenn Gould School | B♭ Major | 0 | 6B | 78 BPM | ||
Symphony No. 39 in E-Flat Major, K. 543: I. Adagio – Allegro - Remastered by Andrew Hallifax 2024 | Wolfgang Amadeus Mozart, London Symphony Orchestra, Josef Krips | C Major | 4 | 8B | 137 BPM | ||
Serenade for Strings in E Major, Op. 22: IV. Larghetto | Antonín Dvořák, Czech Philharmonic Chamber Orchestra, Petr Nouzovský, Stanislav Vavřínek | E Major | 1 | 12B | 77 BPM |
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