Johann Sebastian Bach, RIAS Kammerchor, Werner Güra, Johannes Weisser, Akademie für Alte Musik Berlin, René Jacobs made "St. John Passion, BWV 245, Part I: No. 2a, Rezitativ "Jesus ging mit seinen Jüngern über den Bach Kidron" (Evangelist, Jesus) - No. 2e, "Jesus antwortete" (Evangelist, Jesus)" available on March 25, 2016. The duration of St. John Passion, BWV 245, Part I: No. 2a, Rezitativ "Jesus ging mit seinen Jüngern über den Bach Kidron" (Evangelist, Jesus) - No. 2e, "Jesus antwortete" (Evangelist, Jesus) is about two minutes long, specifically at 2:21. This song does not appear to have any foul language. St. John Passion, BWV 245, Part I: No. 2a, Rezitativ "Jesus ging mit seinen Jüngern über den Bach Kidron" (Evangelist, Jesus) - No. 2e, "Jesus antwortete" (Evangelist, Jesus)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 2 out of 45 in Bach: St John Passion, BWV 245 (Johannes-Passion) [Deluxe Edition] by Johann Sebastian Bach, RIAS Kammerchor, Akademie für Alte Musik Berlin, René Jacobs. Going off of the ISRC code of this track, we detected that the origin of this track is from France. In terms of popularity, St. John Passion, BWV 245, Part I: No. 2a, Rezitativ "Jesus ging mit seinen Jüngern über den Bach Kidron" (Evangelist, Jesus) - No. 2e, "Jesus antwortete" (Evangelist, Jesus) is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of St. John Passion, BWV 245, Part I: No. 2a, Rezitativ "Jesus ging mit seinen Jüngern über den Bach Kidron" (Evangelist, Jesus) - No. 2e, "Jesus antwortete" (Evangelist, Jesus) by Johann Sebastian Bach, RIAS Kammerchor, Werner Güra, Johannes Weisser, Akademie für Alte Musik Berlin, René Jacobs is Andante (at a walking pace), since this song has a tempo of 108 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 3/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonata a 5 in G Minor, Op. 2, No. 6: IV. Allegro | Tomaso Albinoni, Capella Istropolitana, Jaroslav Krcek | G Minor | 3 | 6A | 59 BPM | ||
Consolation No. 3 in D-Flat Major, S. 172 | Franz Liszt, Lang Lang | D♭ Major | 0 | 3B | 74 BPM | ||
Rinaldo, HWV 7: Lascia ch'io pianga (Arr. for Piano) | George Frideric Handel, Martin Stadtfeld | F Major | 0 | 7B | 68 BPM | ||
Bach, JS: Concerto for Three Pianos in C Major, BWV 1064: III. Allegro assai | Johann Sebastian Bach, Jean-Pierre Wallez, Gabriel Tacchino, Jean-Philippe Collard, Michel Béroff, Orchestre de chambre de Paris | C Major | 2 | 8B | 83 BPM | ||
Bach, JS: Concerto for Two Violins in D Minor, BWV 1043: I. Vivace | Johann Sebastian Bach, Anne-Sophie Mutter, Leslie Pearson, Salvatore Accardo, English Chamber Orchestra | D Minor | 3 | 7A | 179 BPM | ||
Schwanengesang, D. 957: Ständchen "Leise flehen meine Lieder" | Franz Schubert, Mischa Maisky, Daria Hovora | D Minor | 0 | 7A | 179 BPM | ||
Adagio in F, H.XVII No.9 | Franz Joseph Haydn, Alfred Brendel | F Major | 0 | 7B | 71 BPM | ||
Les Boréades, RCT 31, Acte IV, Scène IV: Entrée pour les Muses, les Zéphyres, les Saisons, les Heures et les Arts | Jean-Philippe Rameau, Teodor Currentzis | D♭ Major | 1 | 3B | 130 BPM | ||
Notebook for Anna Magdalena Bach (1725) [Excerpts]: No. 18, Marche in G Major, H. 1 No. 3 [Attrib. J.S. Bach's BWV Anh. 124] | Carl Philipp Emanuel Bach, Giovanni Mazzocchin | E♭ Major | 1 | 5B | 113 BPM | ||
Violin Concerto No. 10 in G Major: Largo | Joseph Boulogne Chevalier de Saint-Georges, Zhou Qian, Toronto Chamber Orchestra, Kevin Mallon | D Major | 1 | 10B | 186 BPM |
Section: 0.680894136428833
End: 0.6856694221496582