"Giulio Cesare in Egitto, HWV 17 (Sung in German), Act III: Act III Scene 4: Recitative: Lange sucht' ich Ptolemäus (Sextus, Achillas, Caesar, Nirenus)" by George Frideric Handel, Max Proebstl, Munich Philharmonic Orchestra, Walter Berry, Fritz Wunderlich, Hans Günter Nöcker, Ferdinand Leitner was released on January 1, 2016. The duration of Giulio Cesare in Egitto, HWV 17 (Sung in German), Act III: Act III Scene 4: Recitative: Lange sucht' ich Ptolemäus (Sextus, Achillas, Caesar, Nirenus) is about two minutes long, specifically at 2:12. This song does not appear to have any foul language. Giulio Cesare in Egitto, HWV 17 (Sung in German), Act III: Act III Scene 4: Recitative: Lange sucht' ich Ptolemäus (Sextus, Achillas, Caesar, Nirenus)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in George Frideric Handel, Lucia Popp, Walter Berry, Fritz Wunderlich, Munich Philharmonic Orchestra, Ferdinand Leitner's "Handel: Giulio Cesare in Egitto, HWV 17 (Sung in German)" album is number 12 out of 81. On top of that, Germany appears to be the country where this track was created. Giulio Cesare in Egitto, HWV 17 (Sung in German), Act III: Act III Scene 4: Recitative: Lange sucht' ich Ptolemäus (Sextus, Achillas, Caesar, Nirenus) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Giulio Cesare in Egitto, HWV 17 (Sung in German), Act III: Act III Scene 4: Recitative: Lange sucht' ich Ptolemäus (Sextus, Achillas, Caesar, Nirenus) by George Frideric Handel, Max Proebstl, Munich Philharmonic Orchestra, Walter Berry, Fritz Wunderlich, Hans Günter Nöcker, Ferdinand Leitner to be Larghetto (rather broadly) because the track has a tempo of 65 BPM, a half-time of 32BPM, and a double-time of 130 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 5/4.
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Concerto in A Minor, BWV 1041: II. Andante | Johann Sebastian Bach, Kolja Blacher, Cologne Chamber Orchestra, Helmut Muller-Bruhl | C Major | 1 | 8B | 74 BPM | ||
Serse / Act 1, HWV 40: "Ombra mai fu" | George Frideric Handel, Renée Fleming, Orchestra of the Age of Enlightenment, Harry Bicket | E Major | 2 | 12B | 175 BPM | ||
Musiche sacre: No. 23, Canzon à 3 | Francesco Cavalli, London Baroque | A♭ Minor | 1 | 1A | 122 BPM | ||
Concerto for Flute and 2 Violins in G Major: I. Spiritoso | Giovanni Battista Pergolesi, Raffaele Trevisani, Moscow Chamber Orchestra, Constantine Orbelian | G Major | 2 | 9B | 104 BPM | ||
Piano Concerto in A Minor, Op. 7: II. Romanze: Andante non troppo con grazia | Clara Schumann, Veronica Jochum, Bamberg Symphony, Joseph Silverstein | A♭ Major | 0 | 4B | 69 BPM | ||
Lieder ohne Worte (Songs without Words), Book 2, Op. 30: No. 7 in E-Flat Major, Op. 30, No. 1 | Felix Mendelssohn, Péter Nagy | E♭ Major | 0 | 5B | 68 BPM | ||
Serenade In G Major "Eine Kleine Nachtmusik", K. 525: I. Allegro | Wolfgang Amadeus Mozart, The English Concert, Andrew Manze | F♯ Major | 0 | 2B | 147 BPM | ||
Bist du bei mir (Formerly Attrib. J.S. Bach as BWV 508, Transcr. for Oboe, Solo Violin, Strings and Basso continuo) | Gottfried Heinrich Stölzel, Albrecht Mayer, Gottfried Von Der Goltz, Berliner Barock Solisten | E♭ Major | 1 | 5B | 62 BPM | ||
Lyric Pieces Book I, Op. 12: No. 7 Album Leaf | Edvard Grieg, Alice Sara Ott | D Major | 2 | 10B | 121 BPM | ||
Concerto in D Minor: II. Adagio | Alessandro Marcello, Johann Sebastian Bach, Céline Moinet, L'Arte del mondo, Werner Ehrhardt | D Minor | 0 | 7A | 68 BPM |
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