"Symphony No. 2 in C Major, J. 51: II. Adagio, ma non troppo" by Carl Maria von Weber, Juanjo Mena, BBC Philharmonic Orchestra was released on November 1, 2012. With this song being about 5 minutes long, at 4:43, "Symphony No. 2 in C Major, J. 51: II. Adagio, ma non troppo" by Carl Maria von Weber, Juanjo Mena, BBC Philharmonic Orchestra is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. This song is part of Weber: Symphonies Nos. 1 & 2, Bassoon Concerto & Invitation to the Dance by Carl Maria von Weber, Juanjo Mena, BBC Philharmonic Orchestra, Karen Geoghegan. The song's track number on the album is #10 out of 12 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. Symphony No. 2 in C Major, J. 51: II. Adagio, ma non troppo is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Symphony No. 2 in C Major, J. 51: II. Adagio, ma non troppo by Carl Maria von Weber, Juanjo Mena, BBC Philharmonic Orchestra has a tempo of 74 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With Symphony No. 2 in C Major, J. 51: II. Adagio, ma non troppo being at 74 BPM, the half-time would be 37 BPM with a double-time of 148 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
F Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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L’arlésienne Suite No. 1, Op. 23bis, WD 40: II. Menuet | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | A♭ Major | 0 | 4B | 94 BPM | ||
Lyric Pieces Book I, Op. 12: No. 7 Album Leaf | Edvard Grieg, Alice Sara Ott | D Major | 2 | 10B | 121 BPM | ||
Nocturne No.3 In B, Op.9 No.3 | Frédéric Chopin, Maurizio Pollini | F♯ Major | 0 | 2B | 68 BPM | ||
7 Variations on the Air Vien qua, Dorina bella by Bianchi, Op. 7, J. 53: Variation 1 | Carl Maria von Weber, Michael Endres | C Major | 0 | 8B | 134 BPM | ||
12 Études d'exécution transcendante, S. 139: No. 4 Mazeppa (Presto) | Franz Liszt, Daniil Trifonov | A Major | 3 | 11B | 106 BPM | ||
Piano Concerto No. 1 in C Major, Op. 11, J. 98: II. Adagio | Carl Maria von Weber, Benjamin Frith, RTE Sinfonietta, Proinnsias O'Duinn | A♭ Major | 0 | 4B | 95 BPM | ||
6 Melodies, Op. 4: No. 2. Melodie in C-Sharp Minor | Fanny Mendelssohn, Betty Ann Miller | D♭ Minor | 0 | 12A | 67 BPM | ||
Weber: Der Freischütz, Op. 77, J. 277, Act 1 Scene 5: Dialog, "Da bist du ja noch, Kamerad" (Kaspar, Max) | Carl Maria von Weber, Elisabeth Grümmer, Berliner Philharmoniker, Joseph Keilberth | A♭ Major | 1 | 4B | 106 BPM | ||
Gavotte - Arr. for Cello and Piano | Jean-Baptiste Lully, Mischa Maisky, Pavel Gililov | D Minor | 0 | 7A | 85 BPM | ||
Keyboard Sonatina In F Major, Op. 36, No. 4: II. Andante Con Espressione | Muzio Clementi, Balazs Szokolay | B♭ Major | 1 | 6B | 132 BPM |
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