Heinrich Ignaz Franz von Biber, Ars Antiqua Austria, Gunar Letzbor made "Violin Sonata No. 4 in D Major, C. 141: IX. Aria" available on January 19, 2024. With this song being around four minutes long, at 3:44, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 30 out of 56 in Biber: Violin Sonatas Nos. 1-8, C. 138-145 by Heinrich Ignaz Franz von Biber, Gunar Letzbor, Ars Antiqua Austria. Going off of the ISRC code of this track, we detected that the origin of this track is from Switzerland. Violin Sonata No. 4 in D Major, C. 141: IX. Aria is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Violin Sonata No. 4 in D Major, C. 141: IX. Aria by Heinrich Ignaz Franz von Biber, Ars Antiqua Austria, Gunar Letzbor is Andante (at a walking pace), since this song has a tempo of 86 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Membra Jesu Nostri, BuxWV 75, Ad pedes: Aria "Salve mundi salutare" | Dietrich Buxtehude, Ricercar Consort, Philippe Pierlot, Maria Keohane | C Minor | 2 | 5A | 90 BPM | ||
Sinfonia No. 8 in si bemolle maggiore (Gesù presentato nel tempio): II. Largo | Antonio Caldara, Claudio Ferrarini, Accademia Farnese | A Minor | 1 | 8A | 96 BPM | ||
Sinfonia di concerto grosso No. 6 in A Minor: V. Allegro | Alessandro Scarlatti, Accademia Della Magnifica Comunità, Enrico Casazza | A♭ Minor | 2 | 1A | 117 BPM | ||
Madrigali, Book 1: No. 18, Sonata à 31 | Francesco Turini, London Baroque | D♭ Major | 3 | 3B | 96 BPM | ||
Suite in d minor - Allemande la Loureuse | Hanneke van Proosdij | C Major | 1 | 8B | 105 BPM | ||
Dialogue | Louis Couperin, London Baroque | B Major | 2 | 1B | 101 BPM | ||
Overture for Flute and Bassoon in G Major: VII. Air | Christoph Graupner, Pál Németh, Paolo Tognon, Capella Savaria | F♯ Major | 2 | 2B | 131 BPM | ||
Mystery (Rosary) Sonata No. 11, "The Resurrection": III. Adagio | Heinrich Ignaz Franz von Biber, Sirkka-Liisa Kaakinen, Battalia | F♯ Major | 0 | 2B | 119 BPM | ||
Flute Concerto in G Major, QV 5:165: III. Presto | Johann Joachim Quantz, Mary Oleskiewicz, Concerto Armonico Budapest, Miklós Spányi | F Major | 1 | 7B | 107 BPM | ||
The Flat Consort for My Cousin Kemble, Suite No. 5 in A Minor and A Major: II. Galliard | Matthew Locke, Phantasm, Elizabeth Kenny | E♭ Major | 1 | 5B | 115 BPM |
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