Notre Dame, Op. 2: Act II Final Scene: Du bist gerettet, meine Seele (Archdeacon, Quasimodo, Chorus) - Franz Schmidt, Hartmut Welker, Kurt Moll, James King, Horst R. Laubenthal, Gwyneth Jones, Kaja Borris, Hans Helm, Andreas Juffinger, Chor der St. Hedwigs-Kathedrale Berlin, RIAS Kammerchor, Berlin Radio Symphony Orchestra, Christof Perick Information

"Notre Dame, Op. 2: Act II Final Scene: Du bist gerettet, meine Seele (Archdeacon, Quasimodo, Chorus)" by Franz Schmidt, Hartmut Welker, Kurt Moll, James King, Horst R. Laubenthal, Gwyneth Jones, Kaja Borris, Hans Helm, Andreas Juffinger, Chor der St. Hedwigs-Kathedrale Berlin, RIAS Kammerchor, Berlin Radio Symphony Orchestra, Christof Perick was released on January 1, 1989. Since Notre Dame, Op. 2: Act II Final Scene: Du bist gerettet, meine Seele (Archdeacon, Quasimodo, Chorus) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 20 in the song's album "Schmidt, F.: Notre Dame [Opera]". In this album, this song's track order is #10. Furthermore, we believe that the track originated from United States. Notre Dame, Op. 2: Act II Final Scene: Du bist gerettet, meine Seele (Archdeacon, Quasimodo, Chorus) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Notre Dame, Op. 2: Act II Final Scene: Du bist gerettet, meine Seele (Archdeacon, Quasimodo, Chorus) BPM

With Notre Dame, Op. 2: Act II Final Scene: Du bist gerettet, meine Seele (Archdeacon, Quasimodo, Chorus) by Franz Schmidt, Hartmut Welker, Kurt Moll, James King, Horst R. Laubenthal, Gwyneth Jones, Kaja Borris, Hans Helm, Andreas Juffinger, Chor der St. Hedwigs-Kathedrale Berlin, RIAS Kammerchor, Berlin Radio Symphony Orchestra, Christof Perick having a BPM of 80 with a half-time of 40 BPM and a double-time of 160 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.

Notre Dame, Op. 2: Act II Final Scene: Du bist gerettet, meine Seele (Archdeacon, Quasimodo, Chorus) Key

E Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.