"Mahler: Symphony No. 8 in E-Flat Major "Of a Thousand", Pt. 2 "Final Scene from Faust": VII. Uns bleibt ein Erdenrest" by Gustav Mahler, City Of Birmingham Symphony Orchestra, Sir Simon Rattle, Birgit Remmert, City of Birmingham Symphony Chorus, London Symphony Chorus was released on November 27, 1987. The duration of Mahler: Symphony No. 8 in E-Flat Major "Of a Thousand", Pt. 2 "Final Scene from Faust": VII. Uns bleibt ein Erdenrest is about two minutes long, specifically at 2:22. This song does not appear to have any foul language. Mahler: Symphony No. 8 in E-Flat Major "Of a Thousand", Pt. 2 "Final Scene from Faust": VII. Uns bleibt ein Erdenrest's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Gustav Mahler, Sir Simon Rattle's "Mahler: Complete Symphonies" album is number 55 out of 74. On top of that, United Kingdom appears to be the country where this track was created. Mahler: Symphony No. 8 in E-Flat Major "Of a Thousand", Pt. 2 "Final Scene from Faust": VII. Uns bleibt ein Erdenrest is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Mahler: Symphony No. 8 in E-Flat Major "Of a Thousand", Pt. 2 "Final Scene from Faust": VII. Uns bleibt ein Erdenrest by Gustav Mahler, City Of Birmingham Symphony Orchestra, Sir Simon Rattle, Birgit Remmert, City of Birmingham Symphony Chorus, London Symphony Chorus to be Adagio (slowly with great expression) because the track has a tempo of 75 BPM, a half-time of 38BPM, and a double-time of 150 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Le tombeau de Couperin (arr. Z. Kocsis): V. Menuet: Allegretto moderato | Zoltán Kocsis, Maurice Ravel, Hungarian National Philharmonic | G Major | 0 | 9B | 97 BPM | ||
Symphony No. 2 in C minor - "Resurrection" / 5th Movement: Mit Aufschwung, aber nicht eilen (Duet: "O Schmerz") | Gustav Mahler, Latonia Moore, Nadja Michael, Wiener Philharmoniker, Gilbert Kaplan, Wiener Singverein, Johannes Prinz | E♭ Major | 3 | 5B | 87 BPM | ||
String Quartet No.14 In C Sharp Minor, Op.131: 6. Adagio quasi un poco andante | Ludwig van Beethoven, Emerson String Quartet | A♭ Minor | 0 | 1A | 91 BPM | ||
Symphony No. 1 in D Major "Titan": III. Feierlich und gemessen, ohne zu schleppen | Gustav Mahler, Leonard Bernstein, New York Philharmonic | A♭ Major | 0 | 4B | 72 BPM | ||
Symphonic Metamorphosis of Themes by Carl Maria von Weber: III. Andantino | Paul Hindemith, WDR Sinfonieorchester Köln, Marek Janowski | E Major | 1 | 12B | 95 BPM | ||
Symphony No. 2 in C Minor "Resurrection" / 5: Im Tempo des Scherzo: Etwas bewegter - "O glaube, mein Herz, o glaube" | Gustav Mahler, Waltraud Meier, Cheryl Studer, Wiener Philharmoniker, Claudio Abbado, Arnold Schoenberg Chor, Erwin Ortner | F Major | 1 | 7B | 172 BPM | ||
Symphony No. 1, Op. 25 in D "Classical": Larghetto | Sergei Prokofiev, Yuri Temirkanov | A Major | 0 | 11B | 109 BPM | ||
Après un Rêve Op.7, No.1 | Gabriel Fauré, Jules Eskin, Boston Symphony Orchestra, Seiji Ozawa | F Minor | 1 | 4A | 96 BPM | ||
Piano Concerto No. 2 in C Minor, Op. 18: III. Allegro scherzando | Sergei Rachmaninoff, Krystian Zimerman, Boston Symphony Orchestra, Seiji Ozawa | F Minor | 2 | 4A | 121 BPM | ||
Première rhapsodie, CD 124 | Claude Debussy, George Pieterson, Royal Concertgebouw Orchestra, Bernard Haitink | E♭ Minor | 0 | 2A | 137 BPM |
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