"All Praise to Thee, My God, This Night" by Traditional, Westminster Choir, Joan Lippincott, Ronald Arnatt, Joseph Flummerfelt had its release date on September 24, 2013. The duration of This song is about two minutes long, specifically at 2:20. This song does not appear to have any foul language. All Praise to Thee, My God, This Night's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Westminster Choir: Favorite Hymns and Anthems by Westminster Choir, Joan Lippincott, Ronald Arnatt, Joseph Flummerfelt. The song's track number on the album is #19 out of 20 tracks. Based on our data, United States was the country where this track was produced or recorded. All Praise to Thee, My God, This Night is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since All Praise to Thee, My God, This Night by Traditional, Westminster Choir, Joan Lippincott, Ronald Arnatt, Joseph Flummerfelt has a tempo of 79 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With All Praise to Thee, My God, This Night being at 79 BPM, the half-time would be 40 BPM with a double-time of 158 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
All creatures of our God and king (Lasst uns erfreuen) | 17th-century German, York Minster Choir, Philip Moore | E♭ Major | 3 | 5B | 125 BPM | ||
A Hymn to the Virgin | Choir of King's College, Cambridge, Stephen Cleobury | A Minor | 0 | 8A | 83 BPM | ||
The Three Kings | Choir of King's College, Cambridge, Sir David Willcocks | A♭ Major | 1 | 4B | 78 BPM | ||
Guide Me, O Thou Great Redeemer ("Cwm Rhondda") | The Choir Of Westminster Abbey, Martin Baker, London Brass, Iain Simcock, Martin Neary | E♭ Major | 1 | 5B | 132 BPM | ||
Coventry Carol | The King's Singers | B♭ Minor | 0 | 3A | 85 BPM | ||
O magnum mysterium | Morten Lauridsen, Chamber Choir Of Europe, Nicol Matt | D Major | 0 | 10B | 105 BPM | ||
Rejoice in the Lamb, Op. 30: No. 1c, Hallelujah | Benjamin Britten, David Dunnett, Norwich Cathedral Choir, Ashley Grote | F Major | 0 | 7B | 0 BPM | ||
There Is A Green Hill Far Away | St. Michael's Choir | G Major | 1 | 9B | 103 BPM | ||
It Came Upon the Midnight Clear (Arr. Arthur Sullivan) | Traditional, Arthur Sullivan, Cantillation, Brett Weymark | F Major | 1 | 7B | 92 BPM | ||
Crown him with many crowns | Huddersfield Choral Society | E♭ Major | 2 | 5B | 96 BPM |