"Stabat Mater, R.621: 2. "Cuius animam" (Adagissimo)" by Antonio Vivaldi, Michael Chance, The English Concert, Trevor Pinnock was released on October 9, 2021. With Stabat Mater, R.621: 2. "Cuius animam" (Adagissimo) being less than two minutes long, at 1:58, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 118 out of 190 in Cosy Vivaldi by Antonio Vivaldi, Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Stabat Mater, R.621: 2. "Cuius animam" (Adagissimo) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Stabat Mater, R.621: 2. "Cuius animam" (Adagissimo) by Antonio Vivaldi, Michael Chance, The English Concert, Trevor Pinnock is Lento (slowly), since this song has a tempo of 59 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
B Minor is the music key of this track. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Orfeo ed Euridice, Wq. 30 (Arranged by Sgambati): Melodie dell'Orfeo | Christoph Willibald Gluck, Yuja Wang | D Minor | 0 | 7A | 70 BPM | ||
Variations on a Rococo Theme, Op. 33, TH 57: Var: VI. Andante | Pyotr Ilyich Tchaikovsky, Jean-Guihen Queyras, BBC Symphony Orchestra, Jiří Bělohlávek | D Major | 0 | 10B | 114 BPM | ||
Die Hochzeit des Figaro, K. 492, 3. Akt: Canzonetta sull aria… Che soave zeffiretto (Die Verurteilten): Sinfonia | Wolfgang Amadeus Mozart, Marina Mescheriakova, Judith Halász, Michelle Breedt, Orsolya Safar, Gabriele Sima, Alexander Klinger, Michael Roider, Bo Skovhus, Peter Koves, Janusz Monarcha, Renato Girolami, Nicolaus Esterhazy Sinfonia, Michael Halasz | D Major | 1 | 10B | 145 BPM | ||
Gavotte - Arr. for Cello and Piano | Jean-Baptiste Lully, Mischa Maisky, Pavel Gililov | D Minor | 0 | 7A | 85 BPM | ||
Hungarian Dance No. 5 in G Minor, WoO 1, No. 5 | Johannes Brahms, Budapest Festival Orchestra, Iván Fischer | F♯ Minor | 1 | 11A | 107 BPM | ||
Liebesleid | Fritz Kreisler, Joshua Bell, Paul Coker | A Major | 1 | 11B | 74 BPM | ||
Cello Sonata in E Minor, Op. 14 No. 5, RV 40 (Arr. for Cello & Orchestra): I. Largo - II. Allegro | Anonymous , Antonio Vivaldi, Pavel Ulanicki, Cologne New Philharmonic Orchestra, Volker Hartung | E Minor | 2 | 9A | 125 BPM | ||
Fantasia in D Minor, K. 397 | Wolfgang Amadeus Mozart, Alfred Brendel | D Major | 0 | 10B | 126 BPM | ||
Concerto con 2 violini e viola da gamba, Archi e continuo (Sol Minore, RV 578): I. Adagio e spiccato | Antonio Vivaldi, Manfredo Kraemer, Pablo Valetti, Luca Guglielmi, Jordi Savall, Le Concert Des Nations | F♯ Major | 4 | 2B | 115 BPM | ||
Symphony No. 7 in A major, Op. 92: II. Allegretto | Nicolaus Esterhazy Sinfonia | E Minor | 0 | 9A | 143 BPM |
Section: 0.8969628810882568
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