Robert Schumann, Tiffany Poon made "Davidsbündlertänze, Op. 6: No. 2, Innig" available on February 9, 2024. With Davidsbündlertänze, Op. 6: No. 2, Innig being less than two minutes long, at 1:24, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 16 out of 32 in Diaries: Schumann by Robert Schumann, Tiffany Poon. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. In terms of popularity, Davidsbündlertänze, Op. 6: No. 2, Innig is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Davidsbündlertänze, Op. 6: No. 2, Innig by Robert Schumann, Tiffany Poon is Andante (at a walking pace), since this song has a tempo of 104 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
24 Preludes, Op. 11: No. 21 in B-Flat Major | Alexander Scriabin, Evgeny Zarafiants | G Major | 0 | 9B | 141 BPM | ||
Montagne russe | Ivan Bogoyavlensky, Nadja Naumova | B Minor | 2 | 10A | 135 BPM | ||
Mussorgsky: Pictures at an Exhibition: IX. Con mortuis in lingua mortua | Modest Mussorgsky, Elisabeth Leonskaja | B♭ Major | 0 | 6B | 135 BPM | ||
Bagatelles and Impromptus: Longing | Bedřich Smetana, Miroslav Sekera | G Major | 0 | 9B | 75 BPM | ||
25 Études, Op. 47: No. 15 | Stephen Heller, Luca Rasca | E Minor | 0 | 9A | 68 BPM | ||
Prélude in E-Flat Minor, Op. 16, No. 4 | Alexander Scriabin, Julius Asal | B Minor | 0 | 10A | 69 BPM | ||
Notturno in F major Op.6 No.2: Notturno in F major Op.6 No.2 | Clara Schumann, William Howard | F Major | 0 | 7B | 71 BPM | ||
Chants du Rhin, WD 52: Les Confidences | Georges Bizet, Nathanaël Gouin | E Major | 0 | 12B | 75 BPM | ||
Scheherazade Op. 35 (Transcr. for Piano by Florian Noack): II. The Story of the Kalendar Prince | Nikolai Rimsky-Korsakov, Florian Noack | C Minor | 2 | 5A | 110 BPM | ||
Fugue in G Major | Markolyno | D Minor | 0 | 7A | 110 BPM |
Section: 0.6166365146636963
End: 0.6207695007324219