Johann Sebastian Bach, András Schiff's 'Prelude and Fugue in E (WTK, Book I, No.9), BWV 854' came out on January 1, 1984. The duration of Prelude and Fugue in E (WTK, Book I, No.9), BWV 854 is about two minutes long, specifically at 2:30. This song does not appear to have any foul language. Prelude and Fugue in E (WTK, Book I, No.9), BWV 854's duration is considered a little bit shorter than the average duration of a typical track. The song is number 9 out of 24 in Bach, J.S.: Das Wohltemperierte Klavier I by Johann Sebastian Bach, András Schiff. In terms of popularity, Prelude and Fugue in E (WTK, Book I, No.9), BWV 854 is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Prelude and Fugue in E (WTK, Book I, No.9), BWV 854 by Johann Sebastian Bach, András Schiff is Moderato (at a moderate speed), since this song has a tempo of 109 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Children's Album, Op. 19 (Excerpts): No. 1, March | Tatiana Nikolayeva, Hiroko Ishimoto | C Major | 1 | 8B | 128 BPM | ||
Hommage à Rameau [Images, Premier Livre, 1905] | Claude Debussy, Alexandre Tharaud | A♭ Major | 0 | 4B | 64 BPM | ||
Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: II. Adagio (Cadenza by Britten) | Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields | F Major | 1 | 7B | 124 BPM | ||
24 Preludes & Fugues, Op. 87: No. 7a, Prelude in A Major | Dmitri Shostakovich, Tatiana Nikolayeva | A Major | 0 | 11B | 85 BPM | ||
Toccata & Fugue in D Minor, BWV 565 (Transc. I. Friedman): Fugue | Ignaz Friedman, Johann Sebastian Bach, Roberto Cominati | D Minor | 2 | 7A | 98 BPM | ||
12 Polonaises, F. 12: No. 8 in E Minor | Wilhelm Friedemann Bach, Daniil Trifonov | E Minor | 0 | 9A | 66 BPM | ||
Concerto Grosso In D Major, Op. 6, No. 1 : III. Largo | Arcangelo Corelli, Daniela Ruso, Anna Holbling, Ludovit Kanta, Quido Holbling, Capella Istropolitana | D Major | 1 | 10B | 78 BPM | ||
Renaissance, Book 2: Sarabande (Lully) | Leopold Godowsky, Konstantin Scherbakov | E Minor | 0 | 9A | 94 BPM | ||
Nocturne No.11 In G Minor, Op.37 No.1 | Frédéric Chopin, Maurizio Pollini | B♭ Major | 0 | 6B | 75 BPM | ||
Fantasie g-Moll "duobus subjectis" BWV 917 | Inge Rosar, Johann Sebastian Bach | A Minor | 3 | 8A | 64 BPM |
Section: 0.6428666114807129
End: 0.6594531536102295