Jane Eyre, Act I: Jane, did you see no one, Jane? (Rochester, Jane) - Michael Berkeley, Michael Rafferty, Music Theatre Wales Ensemble, Andrew Slater, Natasha Marsh Information

Acousticness: 85%
Danceability: 7%
Energy: 2%
Instrumentalness: 17%
Liveness: 15%
Loudness: 45%
Speechiness: 4%
Valence: 4%
Popularity: 0%
Loudness: -32.735 dB

Summary

"Jane Eyre, Act I: Jane, did you see no one, Jane? (Rochester, Jane)" by Michael Berkeley, Michael Rafferty, Music Theatre Wales Ensemble, Andrew Slater, Natasha Marsh was released on September 1, 2002. The duration of Jane Eyre, Act I: Jane, did you see no one, Jane? (Rochester, Jane) is about 3 minutes long, at 3:12. Based on our data, "Jane Eyre, Act I: Jane, did you see no one, Jane? (Rochester, Jane)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 8 out of 20 in Berkeley: Jane Eyre by Michael Berkeley, Michael Rafferty, Music Theatre Wales Ensemble, Natasha Marsh, Fflur Wyn, Beverley Mills, Emily Bauer-Jones, Andrew Slater. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Jane Eyre, Act I: Jane, did you see no one, Jane? (Rochester, Jane) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Jane Eyre, Act I: Jane, did you see no one, Jane? (Rochester, Jane) BPM

The tempo marking of Jane Eyre, Act I: Jane, did you see no one, Jane? (Rochester, Jane) by Michael Berkeley, Michael Rafferty, Music Theatre Wales Ensemble, Andrew Slater, Natasha Marsh is Andante (at a walking pace), since this song has a tempo of 77 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.

Jane Eyre, Act I: Jane, did you see no one, Jane? (Rochester, Jane) Key

This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Concerto for Orchestra, "Seascapes": II. Threnody for a Sad Trumpet. In Memoriam J.A	Michael Berkeley, Richard Hickox, BBC National Orchestra Of Wales, Philippe Schartz	C Major	0	8B	78 BPM
carino es hola de un poco de ruido	mantekito loko	D Minor	1	7A	120 BPM
Violin Sonata No. 3, Op. 73: III. Deciso ma non troppo allegro	Christian Sinding, Magnus Boye Hansen, Mathias Halvorsen	F Major	2	7B	85 BPM
String Quartet No. 1 in A Minor, Op. 41 No. 1: II. Scherzo. Presto	Robert Schumann, Quatuor Hanson	A Minor	2	8A	106 BPM
Cello Sonata in D Major, Op. 17: I. Allegro molto	Luise Adolpha Le Beau, Connie Shih, Steven Isserlis	A Minor	0	8A	79 BPM
Baa Baa Black Sheep, Act II Scene 1: The Ways of Man. Little brother, how often must I tell you? (Bagheera, Mowgli)	Michael Berkeley, Paul Daniel, English Northern Philharmonia, Malcolm Lorimer, Clive Bayley	F Major	1	7B	69 BPM
Nocturne No. 8 in A Major, H. 46	John Field, Michael Collins, Michael McHale	A Major	0	11B	74 BPM
Serenade in C Major, Op. 10: III. Scherzo: Vivace	Ernst von Dohnányi, Laszlo Barsony, Dénes Kovács, Karoly Botvay	E Major	0	12B	97 BPM
String Quartet No. 1 in C Major, Op. 49: II. Moderato	Dmitri Shostakovich, Quatuor Danel	G Major	0	9B	89 BPM
Songs from "Friday Afternoons", Op. 7: Cuckoo!	Benjamin Britten, John Hahessy, Michael Berkeley	G Major	0	9B	109 BPM

ISRC: GBLWD0210208
Label: L-M Records/RCA Records

Section: 0.6757287979125977

End: 0.6795835494995117