"Symphony No. 3, "Pastoral Symphony": III. Moderato pesante" by Ralph Vaughan Williams, Brendan O'Brien, Patricia Rozario, Bournemouth Symphony Orchestra, Kees Bakels was released on June 17, 1994. Symphony No. 3, "Pastoral Symphony": III. Moderato pesante is about six minutes long, preciously at 6:26, making this song fairly long compared to other songs. This song is part of Vaughan Williams: Symphonies Nos. 3, 'Pastoral', and 6 by Ralph Vaughan Williams, Kees Bakels. The song's track number on the album is #3 out of 8 tracks. Based on our data, Hong Kong was the country where this track was produced or recorded. Symphony No. 3, "Pastoral Symphony": III. Moderato pesante is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Symphony No. 3, "Pastoral Symphony": III. Moderato pesante by Ralph Vaughan Williams, Brendan O'Brien, Patricia Rozario, Bournemouth Symphony Orchestra, Kees Bakels has a tempo of 88 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Symphony No. 3, "Pastoral Symphony": III. Moderato pesante being at 88 BPM, the half-time would be 44 BPM with a double-time of 176 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Dvořák: Legends, Op. 59, B. 122: No. 10 in B-Flat Minor, Andante | Antonín Dvořák, José Serebrier, Bournemouth Symphony Orchestra | G Major | 1 | 9B | 130 BPM | ||
On the Town: I. The Great Lover | Leonard Bernstein, Bournemouth Symphony Orchestra, Marin Alsop | B♭ Major | 0 | 6B | 109 BPM | ||
Cello Sonata, FP 143: Cavatine: Tres calme | Francis Poulenc, Françoise Groben, Alexandre Tharaud | B♭ Minor | 0 | 3A | 122 BPM | ||
String Quartet No. 2 in D Major: I. Allegro moderato | Alexander Borodin, Budapest Haydn Quartet | D Major | 1 | 10B | 75 BPM | ||
Intermezzo, Op. 72, TrV 246a, 4 Symphonic Interludes: Intermezzo, Op. 72, TrV 246a: Träumerei am Kamin (Dreaming by the Fireside) | Richard Strauss, Orchestre Philharmonique De Strasbourg, Marc Albrecht | A♭ Major | 0 | 4B | 140 BPM | ||
Capriol Suite: 6. Mattachins (Sword Dance) | Peter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville Marriner | F Major | 3 | 7B | 82 BPM | ||
Dance Suite, BB 86b: I. Moderato | Béla Bartók, Bournemouth Symphony Orchestra, Marin Alsop | C Minor | 0 | 5A | 172 BPM | ||
Grieg: 4 Symphonic Dances, Op. 64: II. Allegretto grazioso | Edvard Grieg, Paavo Berglund, Bournemouth Symphony Orchestra | E♭ Minor | 1 | 2A | 110 BPM | ||
String Quartet No. 2 in D Major: IV. Finale: Andante - Vivace | Alexander Borodin, Budapest Haydn Quartet | D Major | 2 | 10B | 120 BPM | ||
Carmen Suite No. 1 (Arr. E. Guiraud): V. Les dragons d'Alcala | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | F Minor | 0 | 4A | 60 BPM |
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