"Fantasiestücke op. 73 - Zart und mit Ausdruck" by Elisabeth Ganter, Peter Schmalfuss was released on January 18, 1999. The duration of Fantasiestücke op. 73 - Zart und mit Ausdruck is about 3 minutes long, at 3:10. Based on our data, "Fantasiestücke op. 73 - Zart und mit Ausdruck" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 19 in the song's album "Robert Schumann - Klavierkonzert". In this album, this song's track order is #17. Based on our statistics, Fantasiestücke op. 73 - Zart und mit Ausdruck's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Fantasiestücke op. 73 - Zart und mit Ausdruck by Elisabeth Ganter, Peter Schmalfuss having a BPM of 140 with a half-time of 70 BPM and a double-time of 280 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 3/4.
F Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto for Flute, Harp, and Orchestra in C Major, K. 299: I. Allegro | Wolfgang Amadeus Mozart, Carl Reinecke, Wolfgang Schulz, Nicanor Zabaleta, Wiener Philharmoniker, Karl Böhm | C Minor | 4 | 5A | 110 BPM | ||
Symphonie Espagnole In D Minor, Op. 21: 2. Scherzando (Allegro molto) | Édouard Lalo, Itzhak Perlman, Orchestre de Paris, Daniel Barenboim | G Major | 1 | 9B | 105 BPM | ||
Pictures at an Exhibition: Gnomus. Sempre vivo | Modest Mussorgsky, Ivo Pogorelich | D Minor | 0 | 7A | 63 BPM | ||
Piano Quintet In A, Op.81, B. 155: 3. Scherzo (Furiant) (Molto vivace) | Antonín Dvořák, Menahem Pressler, Emerson String Quartet | A Major | 1 | 11B | 70 BPM | ||
Andante spianato et Grande polonaise brillante, Op. 22: Polonaise. Allegro molto | Frédéric Chopin, Martha Argerich | E♭ Major | 1 | 5B | 108 BPM | ||
Concerto for Clarinet and Orchestra No. 1 in C Minor, Op. 26: II. Adagio | Louis Spohr, Timisoara Philharmoniker, Elisabeth Ganter, Remus Georgescu | C Major | 8 | 8B | 97 BPM | ||
Clarinet Concerto in E-Flat Major, Op. 36: III. Rondo | Franz Krommer, Kalman Berkes, Nicolaus Esterhazy Sinfonia | E♭ Major | 2 | 5B | 127 BPM | ||
Lyric Pieces, Book 4, Op. 47: Halling (Norwegian Dance) | Edvard Grieg, Einar Steen-Nøkleberg | C Major | 2 | 8B | 184 BPM | ||
Haydn: Symphony No. 103 in E-Flat Major, Hob. I:103 "Drumroll": IV. Finale. Allegro con spirito | Joseph Haydn, English Chamber Orchestra, Jeffrey Tate | E♭ Major | 1 | 5B | 145 BPM | ||
Piano Sonata No. 8 in A Minor, K. 310: I. Allegro maestoso | Wolfgang Amadeus Mozart, Mitsuko Uchida | A Minor | 1 | 8A | 81 BPM |
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