Louis Spohr, Timisoara Philharmoniker, Elisabeth Ganter, Remus Georgescu made "Concerto for Clarinet and Orchestra No. 1 in C Minor, Op. 26: II. Adagio" available on January 1, 2009. The duration of Concerto for Clarinet and Orchestra No. 1 in C Minor, Op. 26: II. Adagio is about 3 minutes long, at 3:06. Based on our data, "Concerto for Clarinet and Orchestra No. 1 in C Minor, Op. 26: II. Adagio" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 9 in the song's album "Spohr: Clarinet Concertos". In this album, this song's track order is #2. Furthermore, we believe that the track originated from United States. In terms of popularity, Concerto for Clarinet and Orchestra No. 1 in C Minor, Op. 26: II. Adagio is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Concerto for Clarinet and Orchestra No. 1 in C Minor, Op. 26: II. Adagio by Louis Spohr, Timisoara Philharmoniker, Elisabeth Ganter, Remus Georgescu having a BPM of 97 with a half-time of 48 BPM and a double-time of 194 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto 5 in A Minor, Op. 7: I. Vivace | Jean-Marie Leclair, Luis Otavio Santos, Les Muffatti, Peter Van Heyghen | D♭ Minor | 2 | 12A | 124 BPM | ||
String Octet in E-Flat Major, Op. 20, MWV R20: III. Scherzo: Allegro leggierissimo | Felix Mendelssohn, Kodály Quartet, Auer String Quartet | A Minor | 0 | 8A | 168 BPM | ||
Faust, Act II (1852 Version): Durft ich mich nennen sein eigen | Louis Spohr, Claudia Taha, Bielefeld Philharmonic Orchestra, Geoffrey Moull | G Minor | 0 | 6A | 83 BPM | ||
Symphony for Flute, Oboe, Horn and Strings in D Major: II. Andantino | Domenico Cimarosa, Chopin Chamber Orchestra, Winston Dan Vogel | B♭ Major | 0 | 6B | 0 BPM | ||
Sinfonia In D Major, Wq. 183/1, H. 663 : II. Largo | Carl Philipp Emanuel Bach, Salzburg Chamber Philharmonic Orchestra | F Major | 0 | 7B | 133 BPM | ||
Water Music, Suite No. 2, HWV 349: Water Music, Suite No. 2, HWV 349: XI. [Allegro] | George Frideric Handel, Akademie für Alte Musik Berlin | D♭ Major | 2 | 3B | 121 BPM | ||
Violin Concerto No. 4 in D Minor, Op. 31: IV. Finale marziale: Andante - Allegro | Henri Vieuxtemps, Hilary Hahn, Deutsche Kammerphilharmonie Bremen, Paavo Järvi | D Major | 2 | 10B | 78 BPM | ||
Berceuse in B-Flat Major, Op. 38 | Camille Saint-Saëns, Fanny Clamagirand, Vanya Cohen | E Major | 1 | 12B | 71 BPM | ||
Symphony in C Major, Op. 1, No. 6, (Callen 6): I. Allegro | Franz Ignaz Beck, New Zealand Chamber Orchestra, Donald Armstrong | G Major | 2 | 9B | 143 BPM | ||
Viola Concerto in C Minor: III. Allegro molto energico | Johann Christian Bach, Henri Casadesus, Nemanja Radulović, Double Sens | G Minor | 3 | 6A | 79 BPM |
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