Emmerich Kálmán, Munich Radio Orchestra, Werner Schmidt-Boelcke, Kurt Großkurth, Brigitte Mira's 'Das Veilchen von Montmartre, Act III: "Kaiserin Josephine war angetraut" - "Kokettier' nicht, Josephin" (Frascati, Ninon)' came out on September 29, 2014. With Das Veilchen von Montmartre, Act III: "Kaiserin Josephine war angetraut" - "Kokettier' nicht, Josephin" (Frascati, Ninon) being less than two minutes long, at 1:34, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Emmerich Kálmán, Munich Radio Orchestra, Werner Schmidt-Boelcke, Erika Köth, Hans Hermann Schaufuss's "Kálmán: Das Veilchen von Montmartre" album is number 27 out of 29. On top of that, Germany appears to be the country where this track was created. Das Veilchen von Montmartre, Act III: "Kaiserin Josephine war angetraut" - "Kokettier' nicht, Josephin" (Frascati, Ninon) is unknown right now. Although the overall vibe is very danceable, it does project more negative sounds.
We consider the tempo marking of Das Veilchen von Montmartre, Act III: "Kaiserin Josephine war angetraut" - "Kokettier' nicht, Josephin" (Frascati, Ninon) by Emmerich Kálmán, Munich Radio Orchestra, Werner Schmidt-Boelcke, Kurt Großkurth, Brigitte Mira to be Andante (at a walking pace) because the track has a tempo of 80 BPM, a half-time of 40BPM, and a double-time of 160 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
B Major is the music key of this track. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Les contes d'Hoffmann: Les oiseaux dans la charmille | Jacques Offenbach, Susanne Elmark, Sønderjyllands Symfoniorkester, Robert Reimer | A♭ Major | 1 | 4B | 86 BPM | ||
Des Matrosen Heimkehr: Tanz der Schiffsjungen | Franz von Suppé, Tonkünstler-Orchester, Ola Rudner | D Major | 2 | 10B | 168 BPM | ||
Kapitel 3 - Hänsel und Gretel | Oper für die Kleinsten, Engelbert Humperdinck, Marina Mehlinger, Manja Kloss, Luca Zamperoni, Hans Henrik Wöhler | F Major | 3 | 7B | 105 BPM | ||
Hoffmanns Erzählungen: Menuett Barcarole | Vienna State Opera Orchestra, Josef Drexler | D Major | 1 | 10B | 87 BPM | ||
Der Vogelhändler · Operette in 3 Akten (1988 Digital Remaster), Erster Akt: Grüß euch Gott, alle miteinander (Adam - Chor) | Carl Zeller, Anneliese Rothenberger, Adolf Dallapozza, Gisela Litz, Gerhard Unger, Walter Berry, Chor der Wiener Staatsoper in der Volksoper, Wiener Symphoniker, Renate Holm, Jürgen Förster, Karl Dönch, Wolfgang Anheisser, Willi Boskovsky | G Major | 2 | 9B | 93 BPM | ||
Ballerina Grazidsa | London Philharmonic Orchestra | C Major | 2 | 8B | 105 BPM | ||
Dronning Louise Vals (1868) | Hans Christian Lumbye, Tivoli Symphony Orchestra | A Major | 2 | 11B | 105 BPM | ||
Guten Abend, gut' Nacht | WDR Rundfunkorchester Köln, Gesangsquartett Four For Four | E♭ Major | 2 | 5B | 66 BPM | ||
Scottish Fantasy for Violin and Orchestra, Op. 46: I. Introduction. Grave, Adagio cantabile | Max Bruch, Kirill Troussov, Christian Mandeal, Lübeck Philharmonic Orchestra | E♭ Major | 1 | 5B | 94 BPM | ||
Fucik : Florentiner-Marsch Op.214 | Julius Fučík, Václav Neumann, Czech Philharmonic Orchestra | F Major | 4 | 7B | 125 BPM |
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