Philipp van Wichel, L'Arpeggiata, Christina Pluhar made "Rappresentatione di Anima, et di Corpo, Atto Terzo, Intermedio: Festa & Ballo. Ciagogna" available on 2004. The duration of Rappresentatione di Anima, et di Corpo, Atto Terzo, Intermedio: Festa & Ballo. Ciagogna is about 3 minutes long, at 3:26. Based on our data, "Rappresentatione di Anima, et di Corpo, Atto Terzo, Intermedio: Festa & Ballo. Ciagogna" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 12 out of 31 in Cavalieri: Rappresentatione di Anima, et di Corpo by Emilio de' Cavalieri, L'Arpeggiata, Christina Pluhar. In terms of popularity, Rappresentatione di Anima, et di Corpo, Atto Terzo, Intermedio: Festa & Ballo. Ciagogna is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Rappresentatione di Anima, et di Corpo, Atto Terzo, Intermedio: Festa & Ballo. Ciagogna by Philipp van Wichel, L'Arpeggiata, Christina Pluhar is Moderato (at a moderate speed), since this song has a tempo of 118 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 3/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Dido and Aeneas, Z. 626: Act II: Ritornelle | Henry Purcell, Kym Amps, David van Asch, Anna Crookes, The Scholars Baroque Ensemble | D♭ Minor | 0 | 12A | 83 BPM | ||
A che più l'arco tendere | Stefano Landi, L'Arpeggiata, Christina Pluhar | F Major | 0 | 7B | 117 BPM | ||
Viola da Gamba Suite in D Minor: V. Allegro | Carl Friedrich Abel, Paolo Pandolfo | D♭ Minor | 0 | 12A | 77 BPM | ||
Les plaisirs: Ouverture | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | F♯ Major | 0 | 2B | 73 BPM | ||
Scarlatti, A: Concerto grosso in sette parti: No. 1 in F Minor: II. Allegro | Europa Galante, Fabio Biondi | E Minor | 3 | 9A | 80 BPM | ||
Folias echa para mi Señora Doña Tarolilla | Andrea Falconieri, United Continuo Ensemble, Jan Van Elsacker | C Major | 2 | 8B | 77 BPM | ||
Armide Opera In 5 Acts With Prologue: Plus j'observe ces lieux | Jean-Baptiste Lully, Musica Antiqua Köln, Reinhard Goebel | F♯ Minor | 1 | 11A | 85 BPM | ||
Les plaisirs: Air pour le Vieillard et sa Famille | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | D♭ Major | 0 | 3B | 118 BPM | ||
Kapsberger | L'Arpeggiata, Christina Pluhar, Gianluigi Trovesi | E♭ Major | 1 | 5B | 97 BPM | ||
Vitali: Donde avvien che tutt’ebro di vera gioia: Sinfonia | Giovanni Battista Vitali, Il Pomo D'oro | F Major | 2 | 7B | 103 BPM |
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