Mario Castelnuovo-Tedesco, Ensemble 05, Angelo Montanaro, Daniele De Pascalis, Daniele Vineis, David Knopfler, Giorgio Dellarole, Lorenzo Micheli, Massimo Felici's 'Morning in Iowa: No. 2, Mary Hilda was all New England' came out on October 13, 2012. The duration of Morning in Iowa: No. 2, Mary Hilda was all New England is about two minutes long, specifically at 2:52. This song does not appear to have any foul language. Morning in Iowa: No. 2, Mary Hilda was all New England's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in David Knopfler's "Morning in Iowa" album is number 2 out of 16. On top of that, Italy appears to be the country where this track was created. In terms of popularity, Morning in Iowa: No. 2, Mary Hilda was all New England is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Morning in Iowa: No. 2, Mary Hilda was all New England by Mario Castelnuovo-Tedesco, Ensemble 05, Angelo Montanaro, Daniele De Pascalis, Daniele Vineis, David Knopfler, Giorgio Dellarole, Lorenzo Micheli, Massimo Felici to be Andante (at a walking pace) because the track has a tempo of 91 BPM, a half-time of 46BPM, and a double-time of 182 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suite del Plata, No. 1: Tango | Maximo Diego Pujol, Victor Villadangos | C Major | 0 | 8B | 80 BPM | ||
Fernando Sor : Variaciones sobre un tema de ''la flauta magica'', de mozart | Renata Tarragó | F Major | 3 | 7B | 122 BPM | ||
Five Bagatelles for Guitar: II. Lento | William Walton, Simone Vidali | G Minor | 0 | 6A | 91 BPM | ||
Carcassi Op.60 N.1 Allegro | Matteo Carcassi, Lucio Matarazzo | G Major | 6 | 9B | 107 BPM | ||
Serie Americana: Takirari | Hector Ayala, Victor Villadangos | G Major | 0 | 9B | 148 BPM | ||
Suite Castellana: Danza | Federico Moreno Torroba, Enno Voorhorst | E Major | 1 | 12B | 88 BPM | ||
Bardenklange, Op. 13: Book 3: No. 3. Capriccio | Johann Kaspar Mertz, Gabriel Bianco | D Minor | 1 | 7A | 152 BPM | ||
Elegie: Elegy | Johann Kaspar Mertz, Gabriel Bianco | A Minor | 0 | 8A | 133 BPM | ||
Virgilio | Antonio Lauro, Victor Villadangos | A Minor | 1 | 8A | 175 BPM | ||
Carcassi Op.60 N.7 Allegro | Matteo Carcassi, Lucio Matarazzo | A Minor | 5 | 8A | 144 BPM |
Section: 0.57171630859375
End: 0.5755679607391357