"Katya Kabanova, JW I/8, Act I Scene 2: "Víš co mi napadlo?"" by Leoš Janáček, Sir Simon Rattle, London Symphony Orchestra, Amanda Majeski, Magdalena Kozená was released on February 23, 2024. Katya Kabanova, JW I/8, Act I Scene 2: "Víš co mi napadlo?" is about six minutes long, preciously at 6:11, making this song fairly long compared to other songs. The track order of this song in Leoš Janáček, Sir Simon Rattle, London Symphony Orchestra, Amanda Majeski, Simon O'Neill, Katarina Dalayman, Andrew Staples, Ladislav Elgr's "Janáček: Katya Kabanova" album is number 8 out of 32. On top of that, United Kingdom appears to be the country where this track was created. Katya Kabanova, JW I/8, Act I Scene 2: "Víš co mi napadlo?" is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Katya Kabanova, JW I/8, Act I Scene 2: "Víš co mi napadlo?" by Leoš Janáček, Sir Simon Rattle, London Symphony Orchestra, Amanda Majeski, Magdalena Kozená to be Andante (at a walking pace) because the track has a tempo of 81 BPM, a half-time of 40BPM, and a double-time of 162 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 5/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Chaconne in sol maggiore : Variazione 10 | Lazar Berman | G Minor | 0 | 6A | 71 BPM | ||
Piano Concerto No. 2 Op. 102 in F Major: III. Allegro | Dmitri Shostakovich, Alexander Melnikov, Mahler Chamber Orchestra, Teodor Currentzis | C Major | 4 | 8B | 150 BPM | ||
15 Pieces, Op. 3: Prelude | Gabriel Pierné, Hae Won Chang | C Minor | 0 | 5A | 83 BPM | ||
Cello Sonata, FP 143: Cavatine: Tres calme | Francis Poulenc, Françoise Groben, Alexandre Tharaud | B♭ Minor | 0 | 3A | 122 BPM | ||
4 Short Pieces for Violin & Piano, H. 104: No. 2, Spring Song (Version for Cello & Piano) | Frank Bridge, Gerald Peregrine, Antony Ingham | G Major | 0 | 9B | 87 BPM | ||
La Vida Breve: Danza Española No. 1 (Arr. for Harp & Guitar) | Manuel de Falla, Duo Multicorde | A Minor | 2 | 8A | 96 BPM | ||
Serenade in C Major, Op. 48: II. Walzer | Pyotr Ilyich Tchaikovsky, Vienna Chamber Orchestra, Philippe Entremont | G Major | 2 | 9B | 180 BPM | ||
Nocturne No. 6 in F Major | John Field, Benjamin Frith | F Major | 0 | 7B | 71 BPM | ||
Young Birches, Op. 128, No. 2 | Amy Beach, Joanne Polk | F♯ Minor | 1 | 11A | 170 BPM | ||
Schumann: 12 Gedichte aus Liebesfrühling, Op. 37: No. 11: Warum willst du andre fragen | Clara Schumann, Anneleen Lenaerts, Dionysis Grammenos | A♭ Major | 0 | 4B | 71 BPM |
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