Joan Davis, Peter Woodward made "He Is My Son" available on September 1, 1983. The duration of He Is My Son is about 3 minutes long, at 3:01. Based on our data, "He Is My Son" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 15 out of 18 in Bashville (Original London Cast) by Denis King, Benny Green. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. The popularity of He Is My Son is currently unknown right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of He Is My Son by Joan Davis, Peter Woodward is Presto (very, very fast), since this song has a tempo of 183 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Requiem, Op. 9: V. Pie Jesu | Maurice Duruflé, Katherine Gregory, Myrtille Hetzel, Harrison Cole, Stephen Layton | G Minor | 1 | 6A | 75 BPM | ||
Credo, R.592: 2. Adagio: Et incarnatus est | Antonio Vivaldi, John Alldis Choir, English Chamber Orchestra, Vittorio Negri, Olga Hegedus, Adrian Beers | A Major | 1 | 11B | 80 BPM | ||
Te Deum: VII. Tu ad dexteram Dei sedes | Giovanni Bononcini, Owen Rees, The Choir of The Queen's College Oxford, Academy of Ancient Music | B Minor | 2 | 10A | 71 BPM | ||
Biber: Requiem a 15 in A Major: IV. Offertorium | Heinrich Ignaz Franz von Biber, Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra | B♭ Major | 1 | 6B | 82 BPM | ||
Israel in Egypt, HWV 54: Part II: He gave them hailstones for rain (Chorus) | George Frideric Handel, Rosemary Joshua, Atzuko Suzuki, Gerhild Romberger, Kobie Van Rensburg, Simon Pauly, Thomas Hamberger, Harald Hoeren, Christoph Lehmann, Max Hanft, Bavarian Radio Chorus, Concerto Köln, Peter Dijkstra | B Major | 4 | 1B | 111 BPM | ||
Ma rendi pur contento | Vincenzo Bellini, Anda-Louise Bogza, Ladislava Vondráčková | A♭ Major | 1 | 4B | 89 BPM | ||
Sogno D'or | Giacomo Puccini, Cheri Rose Katz, Alan Mallach | A Major | 2 | 11B | 153 BPM | ||
Requiem: IV. Sanctus | Giuseppe Verdi, Robert Shaw, Atlanta Symphony Orchestra | F Major | 2 | 7B | 118 BPM | ||
Handel: Samson, HWV 57, Act 1: "Total eclipse!" (Samson) | George Frideric Handel, Raymond Leppard, English Chamber Orchestra | E Minor | 1 | 9A | 75 BPM | ||
Ode for the Birthday of Queen Anne: Ode for the Birthday of Queen Anne: IV. Soli e Coro "Let flocks and herds their fear forget" | George Frideric Handel, Akademie für Alte Musik Berlin, Hélène Guilmette, Andreas Scholl, Vocalconsort Berlin, Marcus Creed | A Major | 1 | 11B | 128 BPM |
Section: 0.7099723815917969
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