"Cavalleria Rusticana (1987 - Remaster): Beato voi, compar Alfio (Mamma Lucia/Alfio/Santuzza)" by Pietro Mascagni, Montserrat Caballé, Riccardo Muti, Philharmonia Orchestra was released on 1979. With Cavalleria Rusticana (1987 - Remaster): Beato voi, compar Alfio (Mamma Lucia/Alfio/Santuzza) being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Riccardo Muti, Philharmonia Orchestra's "Mascagni: Cavalleria Rusticana/Leoncavallo: I Pagliacci" album is number 7 out of 44. Cavalleria Rusticana (1987 - Remaster): Beato voi, compar Alfio (Mamma Lucia/Alfio/Santuzza) is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Cavalleria Rusticana (1987 - Remaster): Beato voi, compar Alfio (Mamma Lucia/Alfio/Santuzza) by Pietro Mascagni, Montserrat Caballé, Riccardo Muti, Philharmonia Orchestra to be Grave (very slow) because the track has a tempo of 40 BPM, a half-time of 20BPM, and a double-time of 80 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Klavierkonzert Nr. 21 C-Dur, K. 467, "Elvira Madigan": 2. Andante (Elvira Madigan): II. Andante | Wolfgang Amadeus Mozart, Jenő Jandó, Concentus Hungaricus, András Ligeti | F Major | 0 | 7B | 126 BPM | ||
Oboe Concerto in D Minor: II. Adagio | Alessandro Marcello, Jozsef Kiss, Budapest Ferenc Erkel Chamber Orchestra | D Minor | 1 | 7A | 131 BPM | ||
Klavierkonzert Nr. 5 Es-Dur, Op. 73: II. Adagio un poco mosso | Ludwig van Beethoven, Stefan Vladar, Capella Istropolitana, Barry Wordsworth | E♭ Major | 2 | 5B | 86 BPM | ||
Sospiri, Op. 70 | Edward Elgar, Academy of St. Martin in the Fields, Sir Neville Marriner | F Major | 1 | 7B | 177 BPM | ||
Schindler's List - Theme | New World Philharmonic Orchestra, Tasmin Little, Ian Sutherland | D Minor | 1 | 7A | 92 BPM | ||
Symphony No. 5: IV. Adagietto. Sehr langsam | Gustav Mahler, Valery Gergiev, London Symphony Orchestra | F Major | 0 | 7B | 66 BPM | ||
Love Theme From "Cinema Paradiso" (Arr. by Nikoloz Rachveli for Violin, Cello and Orchestra) - ROME | Ennio Morricone, Andrea Morricone, Lisa Batiashvili, Maximilian Hornung, Berlin Radio Symphony Orchestra, Nikoloz Rachveli | B♭ Major | 2 | 6B | 129 BPM | ||
Gaîté parisienne: Barcarolle - Excerpt | Jacques Offenbach, Orchestre Symphonique de Montréal, Charles Dutoit | D Major | 1 | 10B | 68 BPM | ||
Piano Concerto No. 2 in F Major, Op. 102: II. Andante | Dmitri Shostakovich, Boris Giltburg, Royal Liverpool Philharmonic Orchestra, Vasily Petrenko | C Minor | 0 | 5A | 77 BPM | ||
Messiah, HWV 56, Part I: Pastoral Symphony, "Pifa" (arr. L. Stokowski) | George Frideric Handel, Leopold Stokowski, Bournemouth Symphony Orchestra, José Serebrier | C Major | 0 | 8B | 92 BPM |
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