- BPM
- 65
- Key
- D♭ Minor
- Camelot
- 12A
Piano Concerto. No. 1 in D-Flat Major, Op. 10: III. Allegro scherzando - Sergei Prokofiev, Sviatoslav Richter, Kirill Kondrashin, Moscow Youth Orchestra Information
- Acousticness
- 98%
- Danceability
- 12%
- Energy
- 13%
- Instrumentalness
- 90%
- Liveness
- 14%
- Loudness
- 72%
- Speechiness
- 5%
- Valence
- 6%
- Popularity
- 0%
- Loudness
- -16.811 dB
Summary
"Piano Concerto. No. 1 in D-Flat Major, Op. 10: III. Allegro scherzando" by Sergei Prokofiev, Sviatoslav Richter, Kirill Kondrashin, Moscow Youth Orchestra was released on February 28, 2002. With this song being around four minutes long, at 4:06, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 16 out of 16 in Bach: Italian Concerto - English Suite - Fantasia & Fugue by Sviatoslav Richter, Kirill Kondrashin, Moscow Youth Orchestra. Piano Concerto. No. 1 in D-Flat Major, Op. 10: III. Allegro scherzando is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Piano Concerto. No. 1 in D-Flat Major, Op. 10: III. Allegro scherzando BPM
The tempo marking of Piano Concerto. No. 1 in D-Flat Major, Op. 10: III. Allegro scherzando by Sergei Prokofiev, Sviatoslav Richter, Kirill Kondrashin, Moscow Youth Orchestra is Larghetto (rather broadly), since this song has a tempo of 65 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
Piano Concerto. No. 1 in D-Flat Major, Op. 10: III. Allegro scherzando Key
This song has a musical key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Carmen Suite No. 1: 1. Prélude | Georges Bizet, Orchestre de Paris, Semyon Bychkov | A Minor | 1 | 8A | 96 BPM | |
 | Visions Fugitives, Op. 22: XIV. Feroce | Eteri Andjaparidze, Sergei Prokofiev | D Major | 2 | 10B | 80 BPM | |
 | Cinderella, Op.87: 50. Amoroso | Sergei Prokofiev, Cleveland Orchestra, Vladimir Ashkenazy | F Major | 2 | 7B | 80 BPM | |
 | Symphonic Studies, Op. 13 - Version 1852 with Etudes from 1837 version: Variation II. Marcato il canto | Robert Schumann, Mikhail Pletnev | D♭ Minor | 1 | 12A | 69 BPM | |
 | Piano Concerto No. 2 Op. 102 in F Major: II. Andante | Dmitri Shostakovich, Alexander Melnikov, Mahler Chamber Orchestra, Teodor Currentzis | C Minor | 0 | 5A | 78 BPM | |
 | Capriccio espagnol, Op. 34: III. Alborada | Nikolai Rimsky-Korsakov, Seattle Symphony Orchestra, Gerard Schwarz | B♭ Major | 2 | 6B | 133 BPM | |
 | Giselle / Act 2: Grand pas de deux: Adage | Adolphe Adam, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | E♭ Major | 0 | 5B | 73 BPM | |
 | Prokofiev: Romeo and Juliet (Complete Ballet), Op. 64, Act 1: No. 2, Romeo | Sergei Prokofiev, André Previn, London Symphony Orchestra | C Major | 0 | 8B | 111 BPM | |
 | Pictures at an Exhibition (Orch. Ravel): Promenade I | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | F Major | 0 | 7B | 88 BPM | |
 | 13 Pieces, Op. 76: No. 1 Esquisse | Jean Sibelius, Håvard Gimse | A Major | 1 | 11B | 141 BPM |
- ISRC
- QMDA61386983
- Label
- L-M Records/RCA Records
Section: 0.906364917755127
End: 1.6141774654388428