Erik Satie, Aldo Ciccolini's 'Satie: 3 Morceaux en forme de poire: V. Morceau No. 3. Brutal' came out on July 14, 2023. The duration of Satie: 3 Morceaux en forme de poire: V. Morceau No. 3. Brutal is about two minutes long, specifically at 2:00. This song does not appear to have any foul language. Satie: 3 Morceaux en forme de poire: V. Morceau No. 3. Brutal's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 31 in the song's album "Satie: Morceaux en forme de poire, Heures séculaires et instantanées, Nocturnes, Gymnopédies, Gnossiennes, Avant-dernières pensées...". In this album, this song's track order is #20. Furthermore, we believe that the track originated from France. In terms of popularity, Satie: 3 Morceaux en forme de poire: V. Morceau No. 3. Brutal is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Satie: 3 Morceaux en forme de poire: V. Morceau No. 3. Brutal by Erik Satie, Aldo Ciccolini having a BPM of 106 with a half-time of 53 BPM and a double-time of 212 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
B Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ständchen (From Schwanengesang, D957) | Franz Liszt, Evgeny Kissin | D Major | 0 | 10B | 68 BPM | ||
Five Pieces for Piano, Op. 75: Granen, No. 5 | Jean Sibelius, Leif Ove Andsnes | B Minor | 0 | 10A | 78 BPM | ||
13 Preludes, Op. 32: No. 5 in G Major. Moderato | Sergei Rachmaninoff, Idil Biret | A♭ Minor | 3 | 1A | 111 BPM | ||
Capriccio brillant, Op. 22: Andante | Felix Mendelssohn, Matthias Kirschnereit, Michael Sanderling, Frankfurt Radio Symphony Orchestra | B Major | 0 | 1B | 91 BPM | ||
Gnossiennes: n° 4 | Erik Satie, Alexandre Tharaud | A Minor | 0 | 8A | 85 BPM | ||
13 Pieces, Op. 76: No. 2. Etude | Jean Sibelius, Olli Mustonen | G Major | 1 | 9B | 92 BPM | ||
Gnossienne No. 3 | Takashi Yoshimatsu, Erik Satie, Pascal Rogé | E Minor | 0 | 9A | 67 BPM | ||
Gnossienne No. 3 | Erik Satie, Francis Poulenc | A Minor | 0 | 8A | 62 BPM | ||
5 Pieces, Op. 75, "The Trees": No. 5 Granen (The Spruce) | Jean Sibelius, Håvard Gimse | D Major | 0 | 10B | 68 BPM | ||
Le roi s'amuse: Pavane | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | B♭ Major | 0 | 6B | 91 BPM |
Section: 0.5918698310852051
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