Igor Stravinsky, Jayne West, Jon Garrison, Arthur Woodley, John Cheek, Shirley Love, Wendy White, Melvin Lowery, Jeffrey Johnson, Gregg Smith Singers, Orchestra of St. Luke's, Robert Craft made "The Rake's Progress: Act I Scene 1: Terzettino: Laughter and light… (Tom, Anne, Trulove, Nick)" available on May 26, 2009. With The Rake's Progress: Act I Scene 1: Terzettino: Laughter and light… (Tom, Anne, Trulove, Nick) being less than two minutes long, at 1:21, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 73 in the song's album "Stravinsky, I.: Rake's Progress (The) [Opera]". In this album, this song's track order is #13. Furthermore, we believe that the track originated from Hong Kong. In terms of popularity, The Rake's Progress: Act I Scene 1: Terzettino: Laughter and light… (Tom, Anne, Trulove, Nick) is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With The Rake's Progress: Act I Scene 1: Terzettino: Laughter and light… (Tom, Anne, Trulove, Nick) by Igor Stravinsky, Jayne West, Jon Garrison, Arthur Woodley, John Cheek, Shirley Love, Wendy White, Melvin Lowery, Jeffrey Johnson, Gregg Smith Singers, Orchestra of St. Luke's, Robert Craft having a BPM of 104 with a half-time of 52 BPM and a double-time of 208 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Miraculous Mandarin, BB 82, Sz. 73 (Op. 19): Allegro: Introduction | Béla Bartók, Chicago Symphony Orchestra, Pierre Boulez | D♭ Minor | 4 | 12A | 59 BPM | ||
Piano Concerto No. 1, BB 91, Sz. 83: I. Allegro moderato - Allegro | Béla Bartók, Géza Anda, Deutsches Symphonie-Orchester Berlin, Ferenc Fricsay | G Major | 3 | 9B | 124 BPM | ||
Le baiser de la fee: Divertimento (arr. S. Dushkin for violin and piano): I. Sinfonia | Samuel Dushkin, Igor Stravinsky, Jennifer Frautschi, Marta Aznavoorian | D Minor | 1 | 7A | 116 BPM | ||
Symphony No. 8 in G Minor, Op. 88, B. 163: II. Adagio | Antonín Dvořák, London Symphony Orchestra, Sir Colin Davis | C Major | 0 | 8B | 54 BPM | ||
Lohengrin: Prelude | Richard Wagner, Slovak Philharmonic, Michael Halasz | A Major | 0 | 11B | 75 BPM | ||
Copland: Symphony No. 3: I. Molto moderato, with simple expression | Aaron Copland, San Francisco Symphony, Michael Tilson Thomas | A Major | 1 | 11B | 82 BPM | ||
Symphony in C Major, Op. 46: II. Sehr langsam - | Seattle Symphony Orchestra, Hans Pfitzner, Gerard Schwarz | F Major | 0 | 7B | 90 BPM | ||
Le tombeau de Couperin (version for orchestra): No. 4. Rigaudon | Maurice Ravel, Orchestre National De Lyon, Leonard Slatkin | B♭ Major | 3 | 6B | 93 BPM | ||
Tchaikovsky: Symphony No. 4 in F Minor, Op. 36: III. Scherzo (Pizzicato ostinato - Allegro) | Pyotr Ilyich Tchaikovsky, San Francisco Symphony, Michael Tilson Thomas | C Major | 1 | 8B | 156 BPM | ||
String Quartet No. 8 in C Minor, Op. 110: 5. Largo | Dmitri Shostakovich, Borodin Quartet | G Major | 0 | 9B | 86 BPM |
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