"Préludes / Book 1, L. 117: IX. La sérénade interrompue" by Claude Debussy, Arturo Benedetti Michelangeli was released on 1978. The duration of Préludes / Book 1, L. 117: IX. La sérénade interrompue is about two minutes long, specifically at 2:43. This song does not appear to have any foul language. Préludes / Book 1, L. 117: IX. La sérénade interrompue's duration is considered a little bit shorter than the average duration of a typical track. The song is number 9 out of 12 in Debussy: Préludes I by Claude Debussy, Arturo Benedetti Michelangeli. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Préludes / Book 1, L. 117: IX. La sérénade interrompue is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Préludes / Book 1, L. 117: IX. La sérénade interrompue by Claude Debussy, Arturo Benedetti Michelangeli is Adagio (slowly with great expression), since this song has a tempo of 75 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
B♭ Minor is the music key of this track. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Préludes / Book 2, L. 123: 6. General Lavine - eccentric | Claude Debussy, Arturo Benedetti Michelangeli | A♭ Major | 1 | 4B | 134 BPM | ||
Variations On A Theme By Chopin: Variation 8. Andante dolce e espressivo | Federico Mompou, Daniil Trifonov | F Major | 0 | 7B | 66 BPM | ||
Saint-Saëns: Cello Concerto No. 1 in A Minor, Op. 33: III. Molto allegro | Camille Saint-Saëns, Jacqueline du Pré, Daniel Barenboim, New Philharmonia Orchestra | A Minor | 1 | 8A | 73 BPM | ||
Children's Corner (arr. A. Caplet for orchestra): Golliwogg's Cake-walk | Andre Caplet, Claude Debussy, Rheinland-Pfalz State Philharmonic Orchestra, Leif Segerstam | B♭ Major | 0 | 6B | 103 BPM | ||
Préludes - Book II, L. 123: VI. General Lavine - eccentric | Claude Debussy, Maurizio Pollini | D Minor | 1 | 7A | 75 BPM | ||
Petite Suite No. 1: En bateau (arr. for flute and harp) | Nora Mercz, Claude Debussy, Janos Balint | G Major | 0 | 9B | 173 BPM | ||
Lyric Pieces, Op. 38: VIII. Kanon - Allegretto con moto | Edvard Grieg, Javier Perianes | E♭ Minor | 0 | 2A | 82 BPM | ||
Three Movements 'Petruschka': La semaine grasse. Con Moto - Allegretto - Tempo giusto - Agitato | Igor Stravinsky, Maurizio Pollini | C Major | 2 | 8B | 116 BPM | ||
Rachmaniana: IV. Dolce romantico | Daniil Trifonov | A♭ Minor | 0 | 1A | 76 BPM | ||
Fantasia in C minor, K.475: Adagio | Wolfgang Amadeus Mozart, András Schiff | D Major | 0 | 10B | 130 BPM |
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