John Herrera, Patti Cohenour, Jana Schneider, George N. Martin, Howard McGillin, Betty Buckley, Cook made "No Good Can Come From Bad (Neville, Rosa, Helena, Crisparkle, Jasper, Drood, Cook)" available on January 1, 1986. The duration of No Good Can Come From Bad (Neville, Rosa, Helena, Crisparkle, Jasper, Drood, Cook) is about two minutes long, specifically at 2:27. This song does not appear to have any foul language. No Good Can Come From Bad (Neville, Rosa, Helena, Crisparkle, Jasper, Drood, Cook)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 30 in the song's album "The Mystery Of Edwin Drood (Original Broadway Cast Recording)". In this album, this song's track order is #10. No Good Can Come From Bad (Neville, Rosa, Helena, Crisparkle, Jasper, Drood, Cook) is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With No Good Can Come From Bad (Neville, Rosa, Helena, Crisparkle, Jasper, Drood, Cook) by John Herrera, Patti Cohenour, Jana Schneider, George N. Martin, Howard McGillin, Betty Buckley, Cook having a BPM of 77 with a half-time of 38 BPM and a double-time of 154 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of F♯ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Success | Peter Friedman, Mike O'Carroll, Jim Corti, Judy Kaye, Ragtime Ensemble | B♭ Major | 3 | 6B | 136 BPM | ||
The Rain Song | Steve Kazee, Company | A♭ Minor | 5 | 1A | 132 BPM | ||
Looking Down the Barrel of a Gun | Jefferson Mays, A Gentleman's Guide To Love And Murder Original Broadway Cast | F♯ Major | 4 | 2B | 102 BPM | ||
Murderer's Confession (Neville Landless) | John Herrera | B Minor | 4 | 10A | 135 BPM | ||
Barrett's Song | Maury Yeston, Brian D'Arcy James, Kevin Stites | A Minor | 2 | 8A | 86 BPM | ||
Night Waltz II (Act Two) | Jayne Paterson, Kevin David Thomas, Stephan R. Buntrock, Betsy Morgan, Marissa McGowan | D Major | 3 | 10B | 135 BPM | ||
Young and Healthy | Michael Gruber, Cathy Wydner, J. Mark McVey | D Major | 3 | 10B | 132 BPM | ||
Filling out the Form | '[title of show]' Original Cast | A♭ Major | 3 | 4B | 131 BPM | ||
I've Come To Wive It Wealthily In Padua | Broadway Cast Recording | B♭ Major | 5 | 6B | 109 BPM | ||
Turn Up the Spotlight | Nunsense 30th Anniversary Cast | A Major | 2 | 11B | 118 BPM |
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