"Bliss, Act I, Scene 5, "Family Secrets": "I have to know. It has to be done"" by Brett Dean, Amanda Holden, Peter Coleman-Wright, Malcolm Ede, Kanen Breen, Merlyn Quaife, David Corcoran, Taryn Fiebig, Opera Australia Orchestra, Elgar Howarth was released on June 12, 2015. Bliss, Act I, Scene 5, "Family Secrets": "I have to know. It has to be done" is about six minutes long, preciously at 5:43, making this song fairly long compared to other songs. The song is number 15 out of 44 in Bliss by Amanda Holden, Brett Dean, Opera Australia. Going off of the ISRC code of this track, we detected that the origin of this track is from Australia. In terms of popularity, Bliss, Act I, Scene 5, "Family Secrets": "I have to know. It has to be done" is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Bliss, Act I, Scene 5, "Family Secrets": "I have to know. It has to be done" by Brett Dean, Amanda Holden, Peter Coleman-Wright, Malcolm Ede, Kanen Breen, Merlyn Quaife, David Corcoran, Taryn Fiebig, Opera Australia Orchestra, Elgar Howarth is Moderato (at a moderate speed), since this song has a tempo of 111 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 3/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Dvorak Cello Concerto | Belize Ensemble | E Major | 1 | 12B | 103 BPM | ||
Symphony No. 4, "To the memory of Mahinarangi Tocker": IV. I'm the only one turning | Ross Harris, Robert Ashworth, Auckland Philharmonia Orchestra, Brett Dean | B♭ Minor | 2 | 3A | 118 BPM | ||
Concerto for Clarinet and Orchestra, Op.124: IV. Andante - Presto | Robert Groslot, Roeland Hendrikx, Brussels Philharmonic | A Minor | 1 | 8A | 117 BPM | ||
Bliss, Act II, "The Heart-Throb Hotel": Back at the Hotel III, "It's not what you think" | Brett Dean, Amanda Holden, Lorina Gore, Peter Coleman-Wright, Opera Australia Orchestra, Elgar Howarth | A Major | 1 | 11B | 134 BPM | ||
Pacific 231 | Arthur Honegger, WDR Sinfonieorchester Köln, Stéphane Denève | B♭ Minor | 2 | 3A | 130 BPM | ||
Hassan, DCW 8, Act 5 Scene 2: Prelude to the last scene. With flowing movement | Frederick Delius, Britten Sinfonia Voices, Britten Sinfonia, Jamie Phillips | C Major | 0 | 8B | 84 BPM | ||
Viola Concerto, Op. 45: II. Lento | Benjamin Frankel, Brett Dean, Queensland Symphony Orchestra, Werner Andreas Albert | D♭ Major | 1 | 3B | 111 BPM | ||
Cantata No. 4: No. 2, Pastoral | Valentin Silvestrov, Inna Galatenko, Oleg Bezborodko, Lithuanian National Symphony Orchestra, Christopher Lyndon-Gee | D♭ Minor | 0 | 12A | 85 BPM | ||
Fantaisies sur le nom de Sacher, for String Orchestra: VIII. | Philippe Hersant, Orchestre royal de chambre de Wallonie, Vahan Mardirossian | E Minor | 0 | 9A | 105 BPM | ||
Bliss, Act I, Scene 4, "Man about Town": "Aldo, my table is taken" | Brett Dean, Amanda Holden, Peter Coleman-Wright, Henry Choo, Opera Australia Chorus, Opera Australia Orchestra, Elgar Howarth | C Major | 3 | 8B | 84 BPM |
Section: 0.6550335884094238
End: 0.6592156887054443