"The Hours: I'm Going to Make a Cake (From "The Hours")" by Philip Glass, Nicolas Horvath was released on June 10, 2016. The duration of The Hours: I'm Going to Make a Cake (From "The Hours") is about 3 minutes long, at 3:02. Based on our data, "The Hours: I'm Going to Make a Cake (From "The Hours")" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 17 in the song's album "Philip Glass: Glassworlds, Vol. 4 – On Love". In this album, this song's track order is #6. Furthermore, we believe that the track originated from Hong Kong. The Hours: I'm Going to Make a Cake (From "The Hours") is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Hours: I'm Going to Make a Cake (From "The Hours") by Philip Glass, Nicolas Horvath having a BPM of 86 with a half-time of 43 BPM and a double-time of 172 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cello Counterpoint: 2. Slow | Steve Reich, Peter Gregson | E♭ Minor | 1 | 2A | 73 BPM | ||
String Quartet No. 3, "Mishima": I. 1957: Award Montage | Philip Glass, Carducci String Quartet | C Minor | 1 | 5A | 120 BPM | ||
24 Preludes for Violin and Piano, Op. 46: No. 8 Andante | Lera Auerbach, Daniel Hope, Jacques Ammon | D Major | 0 | 10B | 82 BPM | ||
Apartment House 1776: Harmony No. 1, Cookfield | John Cage, Arditti Quartet | G Major | 0 | 9B | 104 BPM | ||
3 Gymnopédies: No.3 | Erik Satie, Pascal Rogé | G Major | 0 | 9B | 76 BPM | ||
Valses pour 2 pianos: Valse lente | Germaine Tailleferre, Edouard Exerjean, Philippe Corre | B Minor | 0 | 10A | 71 BPM | ||
On an Overgrown Path, JW VIII/17, Book 1: No. 7, Good Night! | Leoš Janáček, Lars Vogt | G Major | 0 | 9B | 129 BPM | ||
Wonderland: Bill | Michael Nyman, Valentina Lisitsa | D Major | 0 | 10B | 135 BPM | ||
For Bunita Marcus (1985): page 29 | Morton Feldman, Marc-André Hamelin | C Major | 0 | 8B | 68 BPM | ||
Opus 17 - String Quartet Version | Dustin O'Halloran, Siggi String Quartet | C Minor | 1 | 5A | 96 BPM |
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