Antonio Lotti, Harvard University Choir, Harvard Baroque Chamber Orchestra, Murray Forbes Somerville's 'Missa in E Minor: Kyrie eleison I' had a release date set for January 1, 1998. The duration of This song is about 3 minutes long, at 3:12. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Antonio Lotti, Murray Forbes Somerville, Nancy Granert's "Lotti, A.: Missa in E Minor / Benedicam Dominum / O Vos Omnes / Crucifixus A 8 / Trio Sonata in A Major" album is number 1 out of 19. On top of that, United States appears to be the country where this track was created. Missa in E Minor: Kyrie eleison I is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Missa in E Minor: Kyrie eleison I by Antonio Lotti, Harvard University Choir, Harvard Baroque Chamber Orchestra, Murray Forbes Somerville to be Larghetto (rather broadly) because the track has a tempo of 61 BPM, a half-time of 30BPM, and a double-time of 122 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
E Minor is the music key of this track. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Burial Sentences: VI. Thou Knowest, Lord | William Croft, Michael Bawtree, Annabell McLauchlan, David Rowland | B♭ Major | 1 | 6B | 124 BPM | ||
Give us the wings of faith | James Whitbourn, Westminster Williamson Voices, Ken Cowan, James Jordan | A Minor | 2 | 8A | 85 BPM | ||
3 Sacred Hymns: No. 1. Bogoroditse devo, raduysya, Blagodotnaya Marie (Hail Mary, full of Grace) | Alfred Schnittke, Bavarian Radio Chorus, Peter Dijkstra | E♭ Major | 1 | 5B | 69 BPM | ||
The Lamentations of Jeremiah the Prophet. Lamentations for Good Friday, ZWV 203: No. 3, Lamentatio III. Gregorian Chant | Jan Dismas Zelenka, Tomáš Král, Collegium Marianum | A♭ Minor | 0 | 1A | 84 BPM | ||
Herr, nun lässest du deinen Diener in Friede fahen, SWV 433 | Heinrich Schütz, Vox Luminis, Lionel Meunier | A Minor | 1 | 8A | 138 BPM | ||
8-part Crucifixus | Antonio Lotti, Tenebrae | C Minor | 1 | 5A | 171 BPM | ||
6 Chansons: No. 2. Un cygne | Paul Hindemith, SWR Vokalensemble Stuttgart, Marcus Creed | E Minor | 1 | 9A | 82 BPM | ||
Even When He Is Silent | Kim André Arnesen, Kantorei, Joel Rinsema | C Major | 1 | 8B | 81 BPM | ||
Abendliedchen | Sjaella | C Major | 1 | 8B | 68 BPM | ||
Liturgy of St. John Chrysostom, Op. 41: I. Lord have Mercy | Pyotr Ilyich Tchaikovsky, National Choir Of The Ukraine "Dumka", Yevhen Savchuk | D Major | 3 | 10B | 79 BPM |