Francisco Peraza, The Royal Wind Music's 'Medio registro alto (de) primer tono' came out on April 21, 2023. The duration of Medio registro alto (de) primer tono is about two minutes long, specifically at 2:51. This song does not appear to have any foul language. Medio registro alto (de) primer tono's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 22 in the song's album "The Orange Tree Courtyard - Renaissance Music in and around the Cathedral of Seville". In this album, this song's track order is #13. Furthermore, we believe that the track originated from Switzerland. Medio registro alto (de) primer tono is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Medio registro alto (de) primer tono by Francisco Peraza, The Royal Wind Music having a BPM of 75 with a half-time of 38 BPM and a double-time of 150 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 5/4.
C Minor is the music key of this track. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Am Morgen | Alexander Därr | D Major | 0 | 10B | 112 BPM | ||
Miserere in G Minor, HocJ C1.23: I. Miserere, 1. Miserere mei Deus | Niccolò Jommelli, Il Gardellino, Peter Van Heyghen | B Minor | 0 | 10A | 140 BPM | ||
Battle Suite: II. Courant | Samuel Scheidt, American Brass Quintet | A Minor | 1 | 8A | 101 BPM | ||
Organ Concerto No. 14 in A Major, HWV 296a: II. Organo ad libitum | George Frideric Handel, Richard Marlow | F Minor | 0 | 4A | 135 BPM | ||
Est-ce Mars, SwWV 321: Variation 7 | Jan Pieterszoon Sweelinck, Joseph Kelemen | B Major | 1 | 1B | 117 BPM | ||
Lachrimae or Seven Tears: V. Lachrimae coactae | John Dowland, Phantasm, Elizabeth Kenny | E Major | 1 | 12B | 112 BPM | ||
Salve Regina a6 | Orlande de Lassus, The Sixteen, Harry Christophers | A Major | 2 | 11B | 127 BPM | ||
La Favolla d'Apollo: 17. O mille volte a 8 "La Pellegrina" | Luca Marenzio, Ensemble Pygmalion, Raphael Pichon | G Major | 4 | 9B | 92 BPM | ||
Corollarium. Canzon à 5 | Johann Hermann Schein, Ricercar Consort, Philippe Pierlot | G Minor | 2 | 6A | 117 BPM | ||
Israel in Egypt, HWV 54, Pt 3. "Moses' Song": IX. Who is like unto thee (Chorus) | George Frideric Handel, Apollo's Fire, Jeannette Sorrell, Apollo's Singers | B Major | 4 | 1B | 110 BPM |
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