"Bolero (Arr. Solo Piano by Ganz) - Duo-Art 74728" by Maurice Ravel, Peter Phillips, Rudolph Ganz was released on February 15, 2024. Since Bolero (Arr. Solo Piano by Ganz) - Duo-Art 74728 is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Bernhard Stavenhagen, Wilhelm Backhaus, Frédéric Chopin, Franz Liszt, Johann Sebastian Bach, Camille Saint-Saëns, Edvard Grieg, Felix Mendelssohn, Franz Schubert, Igor Stravinsky, Pyotr Ilyich Tchaikovsky, Maurice Ravel, Edward Elgar, Richard Wagner's "Great Piano Transcriptions from the Golden Age" album is number 14 out of 16. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Bolero (Arr. Solo Piano by Ganz) - Duo-Art 74728 is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Bolero (Arr. Solo Piano by Ganz) - Duo-Art 74728 by Maurice Ravel, Peter Phillips, Rudolph Ganz to be Andante (at a walking pace) because the track has a tempo of 92 BPM, a half-time of 46BPM, and a double-time of 184 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piece en forme de habanera (arr. N. Mercz): Vocalise-etude en forme de habanera | Nora Mercz, Maurice Ravel, Janos Balint | G Minor | 0 | 6A | 70 BPM | ||
Visions fugitives, Op.22: 1. Lentamente | Sergei Prokofiev, Anna Gourari | A Minor | 0 | 8A | 0 BPM | ||
Siciliano (After "Erbarme dich" from Matthäus-Passion, BWV 244, No. 39) | Johann Sebastian Bach, Martin Stadtfeld | G Minor | 1 | 6A | 79 BPM | ||
6 Pieces for Piano, P. 44: No. 3. Notturno. Lento (Version for Harp) | Ottorino Respighi, Magdalena Hoffmann | F♯ Major | 0 | 2B | 88 BPM | ||
Sonata in A Minor, L 241 | Domenico Scarlatti, Vladimir Horowitz | E Minor | 0 | 9A | 79 BPM | ||
Scriabin: 24 Preludes, Op. 11: No. 1 in C Major | Alexander Scriabin, Mikhail Pletnev | C Major | 1 | 8B | 63 BPM | ||
Ravel: Miroirs, M. 43: III. Une barque sur l'océan | Maurice Ravel, Bertrand Chamayou | D Major | 1 | 10B | 66 BPM | ||
Ravel: A la manière de... Chabrier, M. 63 | Maurice Ravel, Bertrand Chamayou | G Major | 0 | 9B | 63 BPM | ||
21 Hungarian Dances, WoO 1: Hungarian Dance No. 11 in D Minor | Seattle Symphony Orchestra, Johannes Brahms, Gerard Schwarz | A Minor | 0 | 8A | 76 BPM | ||
Zdes' khorosho ('How Fair This Spot'), Op. 21, No. 7 | Sergei Rachmaninoff, Pablo Ferrandez, Denis Kozhukhin | A Major | 0 | 11B | 87 BPM |
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