On 1983, the song "Bethena: A Concert Waltz (Arr. J.S. Ritter for Chamber Ensemble)" was released by Scott Joplin, Jean-Pierre Rampal, John Steele Ritter, Shelly Manne, Tommy Johnson. With this song being about 5 minutes long, at 5:10, "Bethena: A Concert Waltz (Arr. J.S. Ritter for Chamber Ensemble)" by Scott Joplin, Jean-Pierre Rampal, John Steele Ritter, Shelly Manne, Tommy Johnson is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Scott Joplin, Jean-Pierre Rampal's "Jean-Pierre Rampal Plays Scott Joplin" album is number 3 out of 13. On top of that, United States appears to be the country where this track was created. Based on our statistics, Bethena: A Concert Waltz (Arr. J.S. Ritter for Chamber Ensemble)'s popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Bethena: A Concert Waltz (Arr. J.S. Ritter for Chamber Ensemble) by Scott Joplin, Jean-Pierre Rampal, John Steele Ritter, Shelly Manne, Tommy Johnson to be Allegro (fast, quick, and bright) because the track has a tempo of 124 BPM, a half-time of 62BPM, and a double-time of 248 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Poor Katie Redd | Morten Gunnar Larsen | E♭ Major | 3 | 5B | 164 BPM | ||
Carmen Fantasy - IV. Habenera: (Bizet) | Joseph Alessi | B♭ Major | 0 | 6B | 114 BPM | ||
Rodeo: 4 Dance Episodes: No. 4. Hoe-Down | Aaron Copland, Buffalo Philharmonic Orchestra | G Major | 3 | 9B | 125 BPM | ||
Fugue in G Minor, BWV 578, "Little Fugue" (arr. L. Stokowski) | Johann Sebastian Bach, Leopold Stokowski, Bournemouth Symphony Orchestra, José Serebrier | G Minor | 1 | 6A | 102 BPM | ||
The Red Poppy: Russian Sailors' Dance | Reinhold Moritzewitsch Glière, Eugene Ormandy, Philadelphia Orchestra | A Minor | 5 | 8A | 88 BPM | ||
Smile | Charlie Chaplin, Thomas Beckmann | D Minor | 1 | 7A | 72 BPM | ||
Symphony No. 94 in G Major, Hob. I:94 "Surprise": II. Andante | Franz Joseph Haydn, George Szell, Cleveland Orchestra | C Major | 0 | 8B | 117 BPM | ||
Sailing By | Ronald Binge, Slovak Radio Symphony Orchestra, Ernest Tomlinson | F Major | 0 | 7B | 80 BPM | ||
Peer Gynt Suite No.1, Op.46: 1. Morning Mood | Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan | E Major | 0 | 12B | 141 BPM | ||
The Cascades, A Rag | Scott Joplin, Benjamin Loeb | C Major | 2 | 8B | 173 BPM |
Section: 0.7718372344970703
End: 0.7765908241271973